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    The Movie Buff
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      August 20, 2026

      ‘Mutiny’ Review: Jason Statham’s Latest Hit Hard and Heavy in a Summer Crowd-Pleaser

    • Movie Review
      August 20, 2026

      ‘Laurel Canyon’ Review: Fans of Music, History, and Photography will Love this Emmy Nominated Documentary

    • Comedy
      August 19, 2026

      ‘I’ll Be There’ Review: The Coming-Of-Age Musical About Conquering One’s Demons is Enriched by its Personal Touches

    • Movie Review
      August 19, 2026

      ‘New York, I Love You’ Review: Eleven Shorts Confined to One Great City

    Staff Recommends

    35 Years Later, ‘Boyz n the Hood’ Remains a Strong and Powerful Film Detailing the Black Experience

    ‘Mrs. Doubtfire’ Brings Laugh-Out-Loud Humor Alongside Surprisingly Astute Divorce Themes

    ‘The Brink of War:’ Historically Researched Yet a Mixed Bag of Reagan Exceptionalism and Dialogue-Heavy Talks

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    ‘I’ll Be There’ Review: The Coming-Of-Age Musical About Conquering One’s Demons is Enriched by its Personal Touches

    By Vidal DcostaAugust 19, 20260

    In a similar vein to the Meryl Streep starrer “Ricki and The Flash” and the Paul Dano vehicle “For Ellen,”…

    Review: ‘We Want the Virus’ Mixes Slapstick with Satire While Throwing a Necessary Gauntlet to Support Indie Film

    By Mark ZiobroAugust 13, 20260

    “We Want the Virus†is the latest film from Paul Santoli and A 516 Productions. Santoli’s previous effort, “Because of Mika,†was a…

    ‘Made in India: A Titan Story’ Celebrates Bright Minds Working Around the Clock to Make History

    By Vidal DcostaJuly 30, 20260

    ‘King of the Hill’ Season 15 Review: The Hills Return Triumphantly After a Decade Plus Hiatus

    By Montearo BrownJuly 30, 20260

    ‘Backrooms’ Review: 4-Minute Short Continuing the Trendy Horror Series

    By Matt DeCristoJuly 29, 20260

    ‘Chances Are’ Review: Robert Downey Jr. Delights, but Meandering Direction Derails this ’80s Rom-com

    By Vidal DcostaJuly 15, 20260

    Film Festivals

    Latest coverage from Tribeca, Fantasia, NYFF, Sundance, SXSW, Cannes and more -->
    Drama

    Cinemalaya 2026: ‘Status: Rejected’, and How Loneliness Makes the American Dream So Easy to Sell

    By Paul Emmanuel EnicolaAugust 15, 20260

    Virginia “Biring†Divinagracia has already been told no several times, but she keeps dressing up and trying again. At the…

    Cinemalaya 2026: ‘The Mothering’ Turns an Ancestral Home Into a Graveyard of Sins

    By Paul Emmanuel EnicolaAugust 13, 20260

    Cinemalaya 2026: ‘A.ni.mál’ Makes Political Animals Look Pathetic

    By Paul Emmanuel EnicolaAugust 11, 20260

    Cinemalaya 2026: ‘2 Valid IDs’ Turns Bureaucracy Into a Punishment for Being Poor

    By Paul Emmanuel EnicolaAugust 11, 20260

    News & Articles

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    • Feature Article
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    35 Years Later, ‘Boyz n the Hood’ Remains a Strong and Powerful Film Detailing the Black Experience

    By Montearo BrownAugust 19, 20260

    When thinking about Black culture told throughout cinema, a few films come to mind—mostly those from its Blaxploitation era: “Shaft” (1971), “The Mack” (1973), and “Dolemite” (1975), you know the…

    Lists: Top 10 Sequels that are Better than the Original

    August 3, 2026

    ‘Troy,’ ‘The Odyssey,’ and the Controversy of Adapting Cherished Literature into Film 

    August 1, 2026

    Spider-Man 2: The Importance of Being Earnest

    July 29, 2026

    Men’s Mental Health Awareness Month: How ‘Ted Lasso’ Saw Through the Men Who Say They’re Fine

    June 29, 2026

    Staff Recommends

    Staff Recommends

    35 Years Later, ‘Boyz n the Hood’ Remains a Strong and Powerful Film Detailing the Black Experience

    By Montearo BrownAugust 19, 20260

    When thinking about Black culture told throughout cinema, a few films come to mind—mostly those…

    Press Release

    Release: Femme Filmmakers Festival Announces 11th Edition & Online Screening Signup

    By Mark ZiobroAugust 11, 20260

    In partnership with Filmotomy, the Femme Filmmakers Festival announces its 11th year. The festival, as…

    Feature Article

    Spider-Man 2: The Importance of Being Earnest

    By Nathan FlynnJuly 29, 20260

    There’s a moment early in “Spider-Man 2” that explains almost everything Sam Raimi understands about Spider-Man. Peter…

    Staff Recommends

    ‘The Invite’ Review: Is There Room for Reconciliation or Love Lies Bleeding?

    By Hector GonzalezJuly 12, 20260

    Marriage is a difficult thing. I wouldn’t know from my own experience. But as I’ve…

    Exclusive Interviews

    Indie Interviews: In Conversation with Filmmaker Hamza Kaye On His Powerful Short, ‘Only Once’

    August 14, 2026

    Indie Interviews: In Conversation with Ari Groobman on His Short Horror Thriller, ‘Projection’

    July 12, 2026

    Interview: Carl Joseph Papa on 58th, Animation, and the Fight Against Forgetting

    June 25, 2026

    Tribeca 2026: Interview with ‘Saba’ Writer and Director Liron Topaz on his Dreamlike Animated Short Film

    June 18, 2026

    Indie Spotlight

    Cinemalaya 2026: ‘Status: Rejected’, and How Loneliness Makes the American Dream So Easy to Sell

    By Paul Emmanuel EnicolaAugust 15, 20260

    Virginia “Biring†Divinagracia has already been told no several times, but she keeps dressing up and trying again. At the…

    Read More

    Indie Interviews: In Conversation with Filmmaker Hamza Kaye On His Powerful Short, ‘Only Once’

    By Mark ZiobroAugust 14, 20260

    “Only Once” is a powerful indie short we reviewed earlier this week, dealing with themes of trauma, neglect, and giving…

    Read More

    Cinemalaya 2026: ‘The Mothering’ Turns an Ancestral Home Into a Graveyard of Sins

    By Paul Emmanuel EnicolaAugust 13, 20260

    This family seems to eat unresolved traumas and secrets for breakfast, lunch, and dinner. It takes Giancarlo Abrahan’s “Mag-iina” (Lit.…

    Read More

    Review: ‘We Want the Virus’ Mixes Slapstick with Satire While Throwing a Necessary Gauntlet to Support Indie Film

    By Mark ZiobroAugust 13, 20260

    “We Want the Virus†is the latest film from Paul Santoli and A 516 Productions. Santoli’s previous effort, “Because of Mika,†was a…

    Read More
    Latest Posts

    ‘Mutiny’ Review: Jason Statham’s Latest Hit Hard and Heavy in a Summer Crowd-Pleaser

    By Adam CourtiffAugust 20, 20262

    ‘Laurel Canyon’ Review: Fans of Music, History, and Photography will Love this Emmy Nominated Documentary

    By Matt DeCristoAugust 20, 20260

    ‘I’ll Be There’ Review: The Coming-Of-Age Musical About Conquering One’s Demons is Enriched by its Personal Touches

    By Vidal DcostaAugust 19, 20260

    ‘New York, I Love You’ Review: Eleven Shorts Confined to One Great City

    By Matt DeCristoAugust 19, 20260
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    Bollywood
    Superhero

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    In a bid to feel less alienated at his new school, Dipu (Mihir Godbole) cooks…

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

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