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      Latest Posts

      ‘Troy,’ ‘The Odyssey,’ and the Controversy of Adapting Cherished Literature into Film 

      By Mark ZiobroAugust 1, 20260

      ‘Motor City’ Review: Almost No Dialogue, Plenty of ’70s Music and Action

      By Matt SwansonAugust 1, 20260

      ‘Made in India: A Titan Story’ Celebrates Bright Minds Working Around the Clock to Make History

      By Vidal DcostaJuly 30, 20260

      ‘King of the Hill’ Season 15 Review: The Hills Return Triumphantly After a Decade Plus Hiatus

      By Montearo BrownJuly 30, 20260
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      Superhero

      ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

      By Vidal DcostaJune 23, 20260

      In a bid to feel less alienated at his new school, Dipu (Mihir Godbole) cooks…

      Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

      By Vidal DcostaJune 3, 20260

      ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

      By Vidal DcostaMay 31, 20260

      ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

      By Vidal DcostaMay 24, 20260

      Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

      By Vidal DcostaApril 27, 20260
      Spotlight on Classic Film

      ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

      ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

      ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

      ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

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