The somber “The Last Goodnight” shows the range of Writer/Director Rob Levinson’s storytelling. His last short I reviewed, “Ramirez,” centered on a…
Author: Mark Ziobro
Back in 2013 I reviewed Andrzej Bartkowiak’s “Doom” and gave it a failing grade. Growing up in the ‘90s on the MS-DOS version of…
“Guns Akimbo” isn’t billed as a horror movie, but it should be. Its premise alone—an online troll targets the wrong…
Andrew Niccol knows how to write dystopian films. And direct them. In his first, “GATTACA,” he examined the human spirit amidst…
Watching this film again over the weekend—and despite its lead’s zany, comic excessiveness—I was struck with how astute a divorce…
“Only Once” is a powerful indie short we reviewed earlier this week, dealing with themes of trauma, neglect, and giving…
“We Want the Virus” is the latest film from Paul Santoli and A 516 Productions. Santoli’s previous effort, “Because of Mika,” was a…
In partnership with Filmotomy, the Femme Filmmakers Festival announces its 11th year. The festival, as usual, will be entirely virtual.…
“Only Once” is a short film by Hamza Kaye that uses symbolism and our expectations of how abuse plays out to frighten…
“Spider-Man: Brand New Day” is the first of the new MCU films to feel like a “Spider-Man” film. From day one, I’ve always felt Tom Holland made…
