Less than a week before the Filipino public once again marches to the polls, it’s hard not to recall a…
Author: Paul Emmanuel Enicola
Paul Emmanuel Enicola
Paul is a Tomatometer-approved film critic inspired by the biting sarcasm of Pauline Kael and levelheaded worldview of Roger Ebert. Nevertheless, his approach underscores a love for film criticism that got its jumpstart from reading Peter Travers and Richard Roeper’s accessible, reader-friendly reviews. As SEO Manager/Assistant Editor for the site, he also serves as a member of the International Federation of Film Critics (FIPRESCI) and the Society of Filipino Film Reviewers.
“There is something wrong with me.” That’s the first thing we hear in “Thunderbolts*”—Yelena Belova (Florence Pugh) saying it flatly,…
“You keep dancing with the Devil… one day he’s gonna follow you home,” a preacher admonishes his guitar-slinging son in…
“Not everyone aspires to your flagrant monogamy,” a superior sneers to MI6 officer George Woodhouse (Michael Fassbender) in “Black Bag,”…
Rami Malek opens “The Amateur” already looking like a man half-buried under grief, twitchy, haunted, always a little too deep…
(Spoiler Warning: The following analysis discusses major plot points from the 2025 film “Companion.” Proceed with caution if you have…
Naveen’s mother never had any doubts about his sister Arundhathi’s future—no matter how many boyfriends she’d cycled through in college,…
For a certain generation of Filipinos, the Eraserheads were more than just a band; they were a cultural shift. If…
Charlie Shackleton’s “Zodiac Killer Project” begins with an empty parking lot—one of the sites of the infamous Zodiac murders. No…
Self-discovery rarely happens in grand, sweeping moments. More often, it sneaks up on you—in a stray comment, a familiar scent,…