It would be difficult to typecast Sandra Hüller because she’s such a chameleonic and timeless talent. For “Anatomy of a…
Author: Kevin Parks
Look past the zany plot summary of Werner Herzog’s “Bucking Fastard.” Actually, no—embrace it, with a thick grain of mined…
“It always looks like that,” Peter (Jordan Firstman) beams to an awestruck Arlo (Reggie Absolom), jointly admiring a luminous New…
‘Nowhere to Lay My Eyes’ (2026; Dir. Hong Sangsoo) If Hong Sangsoo doesn’t have two films at the New York…
Last things, the poet Tess Gallagher wrote in a forward to her husband Raymond Carver’s final poetry collection, “have rights…
Midway through Cristian Mungiu’s “Fjord,” a despondent Lisbet (Renate Reinsve) pleads to her husband, asking what more she can do…
What do we owe the dead? And what do the dead owe us? Often, those meaty, existential questions are easy…
In a wordless opening sequence that launches “The Currents” (2025) designer Lina (Isabel Aimé González-Sola) graciously receives a professional award…
New Yorker film critic Richard Brody wrote that there “are two ideal durations for a feature film: sixty-three minutes ……
Rosanne Pel’s “Donkey Days” (2025) is a rowdy, rambling beast that snickers at good taste. Pel doesn’t invite us in…
