Hector Gonzalez is a Puerto Rican, Tomatometer-Approved film critic and the Co-founder of the PRCA, as well as a member of OFTA and PIFC. He is currently interested in the modern reassessment of Gridnhouse cinema, the portrayal of mental health in film, and everything horror. You can follow him on Instagram @hectorhareviews and Twitter @hector__ha.
Cinematographer Elisha Christian shoots “Immaculate” with a careful eye and a unique, horrific beauty that ascends into a bloody nightmare.…
The “Ghostbusters” franchise seems stuck in some sort of loophole. It heads into familiar places in its narrative while reinventing…
Blood, sweat, and raw emotions are smeared all over Ross Glass’ delightfully cranked sophomore feature “Love Lies Bleeding,” where the English…
Ethan Coen’s first solo narrative feature, the shaggy B-movie-inspired “Drive Away Dolls,” has a fun leading duo of Margaret Qualley…
The second part of Denis Villeneuve’s adaptation of Frank Herbert’s spice opera, “Dune: Part Two,” is bigger and bolder than…
For the past couple of years, Sony Pictures has tried to build its comic-book series of films with their Spider-Man…
Outside of the two documentary sections (U.S. and World Cinema Documentary Competitions), you can find some of the most captivating…
If you want to find who the next fascinating and creative voices in cinema are early on in the year,…
The Sundance Film Festival dedicates plenty of time to selecting features for the various sections they have on deck. The…
Inspired by the works of Kelly Reichardt, particularly one of her most recognized works in “Old Joy,” India Donaldson’s feature-length…