Close Menu
    Facebook X (Twitter) Instagram
    Wednesday, November 11
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    The Portsmouth Journals, Volume I by D.B. Zachary
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
      • Privacy Policy
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Drama

    Review: Alex Garland’s ‘Ex Machina’ is a Sleek Marriage of Sci-Fi and Set Design, and a Solid First Effort by the Director

    Molly MortimerBy Molly MortimerNovember 21, 2021No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Ex Machina
    Domhnall Gleeson, Alicia Vikander, and Oscar Issac in "Ex Machina." Photo: A24.
    Share
    Facebook Twitter Email Copy Link

    Alex Garland’s directorial debut is a stylish sci-fi flick that shows just what happens when men try to play God. The “28 Days Later” writer brings Domhnall Gleeson, Oscar Isaac. and Alicia Vikander together in “Ex Machina,” a high-tech feature that plays like a loose adaptation of “The Tempest.” Spanning over 108-minutes, “Ex Machina” marks A24’s first Academy Award for ‘Visual Effects,’ winning over films like “Mad Max: Fury Road” and “Star Wars: Episode VII – The Force Awakens;” the latter happened to feature both Isaac and Gleeson also. 

    “Mother!” star Domhnall Gleeson gives a strong performance, starring as ingenuous programmer Caleb Smith. When Caleb must stay with Nathan Bateman (a narcissistic, reclusive CEO brought to life by a notable performance from Oscar Isaac), he soon discovers the purpose of his stay is to test a ground-breaking new AI known as Ava. “Tomb Raider’s” Alicia Vikander plays Ava, who’s performance as the synthetic humanoid is both chilling and inquisitive. However, as Ava becomes increasingly conscious—and her bond with Caleb grows—her path to freedom is progressively takes on deception and manipulation, leading to fatal consequences. 

    The Disconnect Between Technology and Man

    “Ex Machina” explores the divide between technology and man; Garland shows viewers that when powerful men try to play God, more often than not, it ends in chaos, as shown in films like “I, Robot” and “Avengers: Age of Ultron.” Despite its futuristic aesthetic, the film appears to draw influences from past theatrics like Shakespeare’s “The Tempest” as well as ‘Greek Tragedy’ theatre, as shown by the various masks placed along the wall in Nathan’s home. Even the film’s title draws from historic theatre; “Ex Machina” comes from the Latin phrase ‘Deus ex Machina’ which means ‘a god from the machine.’

    The film also goes down the path of exploring artificial intelligence as a form of evolution; “I don’t see Ava as a decision, just an evolution” Nathan responds to Caleb’s questions about her. This haunting realisation shows how  humans could be seen as obsolete as AI becomes more and more developed and aware 

    Ex Machina
    Alicia Vikander and Domhnall Gleeson in “Ex Machina.” Photo: A24.

    Excellent Visuals Highlight ‘Ex Machina’s’ Stronger Aspects

    The present-day setting of “Ex Machina” shows how close we could be to Ava existing, and the possible danger thereof. Rob Hardy’s sleek cinematography and Mark Digby’s contemporary production design provides the film with ultra-modern visuals that reflect the technology-focused plot. Considering the film only had a $15 million budget, “Ex Machina’s” visuals effects are spectacular, and the fact it beat out its competitors, all of which had budgets of over $100 million, makes it that much more impressive. The film also brings up the issue that whatever you search online is watched, recorded, and stored. In “Ex Machina’s” case, the trillions of searches help Nathan to develop Ava and create her persona. 

    Alex Garland brings viewers a polished sci-fi drama that features strong performances, sleek set design, and a superb script. “Ex Machina” is a triumphant first outing in the director’s chair for Garland; it leaves you on the edge of your seat by the time the credits roll.

    “Ex Machina” is available to watch or rent from most streaming services. 

    Grade B-

     

     

     

     

    A24 AI Alex Garland Alicia Vikander artificial intelligence Domhnall Gleeson Ex Machina Oscar Issac sci-fi
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Blazing Saddles’ is Open to Interpretation and Truly a Trailblazer in the Satire Genre
    Next Article ‘Special Ops 1.5: The Himmat Story’ is Proof that the ‘Special Ops’ Franchise is Here to Stay
    Molly Mortimer
    • Website

    Molly is a 18-year-old student from the United Kingdom. She loves to watch all genre of movies, but her favourite is drama. Molly's favourite films are "Frances Ha," "The Menu," and "Babylon." She is studying towards a career as a movie critic. In addition to writing for The Movie Buff, she spends most of her time writing reviews to post on her website at Molly's Film Reviews.

    Related Posts

    Independent November 9, 2026

    Review: David Bianchi’s ‘Cyber Protocol’ is a Grim and Effective Indie Dystopia

    Dystopia November 8, 2026

    ‘Klara and the Sun:’ A Valuable Addition to Taika Waititi’s Absentee Parent Theme Along with an anti-AI Message

    Film Festival September 26, 2026

    Zombies, Snakes, Vikings, and Predators, Oh My! — Fantastic Fest 2026, Part One

    Leave A Reply Cancel Reply

    Latest Posts

    Peacock’s ‘Crystal Lake’ Fills in a Lot of Backstory but is Still Very ‘Friday the 13th’ in its Delivery

    By Mark ZiobroNovember 10, 20260

    Review: David Bianchi’s ‘Cyber Protocol’ is a Grim and Effective Indie Dystopia

    By Mark ZiobroNovember 9, 20260

    ‘Klara and the Sun:’ A Valuable Addition to Taika Waititi’s Absentee Parent Theme Along with an anti-AI Message

    By Vidal DcostaNovember 8, 20260

    ‘It Ends’ is on a Road to Nowhere… and that’s Okay

    By Nathan FlynnNovember 7, 20260
    Bollywood
    Tribute

    Beyond the Archetype: a Look at the Characters Immortalized by the Late Nana Patekar

    By Vidal DcostaOctober 20, 20260

    A regular fixture and familiar face in cinema and stage, versatile actor Nana Patekar passed…

    An Unusual Ghost Story, ‘Phillauri’ is Bollywood’s Answer to ‘Corpse Bride’

    By Vidal DcostaSeptember 20, 20260

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.

    ↑