Close Menu
    Facebook X (Twitter) Instagram
    Sunday, November 15
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    The Portsmouth Journals, Volume I by D.B. Zachary
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
      • Privacy Policy
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Home»Biography»Review: ‘Beautiful Boy’ Uses Great Performances to Portray the Conflict of a Father and Son against Drug Abuse 

    Biography

    Review: ‘Beautiful Boy’ Uses Great Performances to Portray the Conflict of a Father and Son against Drug Abuse 


    Abirbhab MaitraBy Abirbhab MaitraApril 18, 2021No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Beautiful Boy
    Timothée Chalemet and Steve Carrell in "Beautiful Boy." Photo: Amazon Studios, 2018.
    Share
    Facebook Twitter Email Copy Link

    “Close your eyes. Have no fear. The monster’s gone. He’s on the run and your daddy’s here.”

    The line from John Lennon’s “Beautiful Boy” can sum up the whole story of the like-named film, “Beautiful Boy.” A real-life story of a father’s constant battle against his son’s drug addiction reminds us how important a father is in our lives. It reminds us that a father is a protector of his children from all the monsters of this world… One who is always with us and assures us that no matter what happens, everything is going to be okay. 

    Based on the books “Beautiful Boy” and “Tweak” (written by David Sheff and Nic Sheff respectively), this film portrays how drug addiction affects somebody and their loved ones in every possible way. It further comments on how it strains relationships in a family and degrades one’s status in the society. 

    Timothée Chalamet nails his role of the drug addict son, Nic Sheff, with his performance here. He gets into the skin of the character and really makes you feel his drive and suffering. His subtle actions are sublime, and he delivers a character arc that is sometimes hard to watch. 

    As his father, David Sheff, Steve Carell underplays his role but portrays brilliantly the conflict of a father to do whatever he can to protect his son. Amy Ryan and Maura Tierney are good in their respective roles as Nic’s mother and stepmother; but sadly the film draws little attention to these characters and their emotions. 

    Beautiful Boy
    Tough but powerful emotions line “Beautiful Boy’s” run-time. Photo: Amazon Studios, 2018.

    Firstly, the relationship between Nic and his father is beautifully established by the non-linear narrative. The flashbacks actually help to understand the dynamics between them. The editing is also wonderful, which beautifully captures the conflicts of both Nic and his father with smart match cuts and intercuts. However, sometimes the non-linearity of the cinematography interrupts the flow of the film. But it’s forgivable for the attempt as the film connects and affects us. Sadly, it never showcases how Nic gets into the world of drugs. Therefore, Nic’s character sometimes felt distant to me. 

    But at the end, it is quite a loving film about the father-son relationship with the portrayal of a harsh reality affecting the youth in America. It reminds us no matter how bad a situation we are stuck into, there are some people who just can’t give up on us. They are our loved ones. For them we always are their “Beautiful Boy” (or girl). 

     

     

     

     

    Amazon Beautiful Boy drug abuse family father love rehab son Steve Carell Timothée Chalamet
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleExclusive Interview: In Conversation with Writer/Director Nick Flügge About his Short Film ‘Cul-De-Sac’ and his Filmmaking Journey

    Next Article Review: Michael Bay’s ‘Armageddon’ is What You’d Expect, but Still Holds Up as One of the Better ‘End of Days’ Films

    Abirbhab Maitra
    • Facebook

    Abirbhab Maitra is a lover of films and loves to write about them. Abirbhab endeavors to analyze films for their effect, and is open to any kind of healthy discussion on films. In addition, he is also an aspiring writer.

    Related Posts

    Film Festival September 22, 2026

    TIFF 2026: Caleb Hearon Finds Comedy and Drama in Equal Measure in ‘Trash Mountain’

    Independent September 6, 2026

    Review: The Short ‘The Last Goodnight’ is a Beautiful Look at a Couple Staying in Love While Saying Goodbye

    Independent July 13, 2026

    UK Asian Film Festival 2026: ‘Shadowbox/Baksho Bondi’ Navigates a Mind Imprisoned by Illness

    Leave A Reply Cancel Reply

    Sicilian Flames
    Latest Posts

    Interview: Quinta Brunson on Keeping ‘Abbott Elementary’ Funny, Familiar, and Moving Forward

    By Paul Emmanuel EnicolaNovember 14, 20260

    ‘Brewster’s Millions’ Review: Outlandish Comedy Tamed to Perfection by its Charismatic Lead  

    By Matt DeCristoNovember 14, 20260

    Review: In ‘If I Go They Will Miss Me,’ Lessons are Passed Down from One Generation to the Next

    By Montearo BrownNovember 13, 20260

    ‘Chronovisor’ Review: Reading Into the Abyss

    By Nathan FlynnNovember 13, 20260
    Specto Movie
    Bollywood
    Tribute

    Beyond the Archetype: a Look at the Characters Immortalized by the Late Nana Patekar

    By Vidal DcostaOctober 20, 20260

    A regular fixture and familiar face in cinema and stage, versatile actor Nana Patekar passed…

    An Unusual Ghost Story, ‘Phillauri’ is Bollywood’s Answer to ‘Corpse Bride’

    By Vidal DcostaSeptember 20, 20260

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff

    Follow Us

    Instagram Facebook X YouTube LinkedIn TikTok

    Subscribe

    Get the latest movie reviews, interviews, and features delivered straight to your inbox.

    You can unsubscribe anytime. For more information, please review our Privacy Policy and Terms of Use.


    Welcome to The Movie Buff!


    Thanks for subscribing! You'll receive our latest movie reviews, interviews, and features straight to your inbox.


    ABOUT

    About the Site Critics Press & Testimonials Media Partners

    EXPLORE

    Film Reviews TV/Streaming Film Festivals Interviews Indie Film Podcasts

    LEGAL

    Privacy Policy Terms of Use

    CONTACT

    Contact Us Advertise Join Our Team
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.

    ↑