Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Action

    Trailer Review: ‘Godzilla vs. Kong’ Pits Monster Against Monster, Set for March 31 Release


    Mark ZiobroBy Mark ZiobroJanuary 26, 2021No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Photo: Warner Bros.
    Share
    Facebook Twitter Email Copy Link

    Gareth Edwards’ 2014 revamp of “Godzilla,” starring Aaron Taylor-Johnson, Elizabeth Olsen, and Bryan Cranston reignited love for all things Godzilla: not that it had really gone anywhere. Edwards’ treatment landed somewhere between the old and the new, playing the titular lizard not as purveyor of misery, but, rightly, the legend and cautionary tale the Kaiju always was. It had a modest Box Office return, while its successor, 2019’s “Godzilla: King of the Monsters” didn’t fare so well with its fan-base, sitting better with critics. 

    But love him or hate him, “Godzilla” has been filmed, sequeled, and re-imagined since his inception in 1954. 

    The same can be said of Godzilla’s mammalian answer, King Kong, who appeared earlier than Godzilla in 1933’s “King Kong.” A number of Kong films graced cinema screens over the years (12 in fact), all with their own unique take on the gigantic menace. But, like Godzilla, King Kong existed in a world humans cannot understand; his ‘monstrosity’ existed as a power that cannot—and should not—be harnessed (as with Godzilla), lest we glean catastrophic results. 

    But, like Marvel and D.C. Comics, King Kong and Godzilla have seldom met in the same universe, save for “King Kong vs. Godzilla,” released in 1962 and 1963 in Japan and the United States respectively. 

    But now—after decades of reimagining, retreads, and sequels, audiences will finally get a modern view of this epic showdown with 2021’s “Godzilla vs. Kong,” set for release March 31, 2021. 

    The Old Becomes New Again 

    Godzilla vs. Kong
    Photo: Warner Bros.

    “Godzilla vs. Kong” is directed by Adam Wingard, known for horror films such as “V/H/S” and “You’re Next.” The writing is by a quintet of writers: Eric Pearson and Max Borenstein (screenplay) and Terry Rossio, Michael Dougherty, and Zach Shields (story by). The film stars Alexander Skarsgård, Millie Bobbie Brown, Rebecca Hall, Hakeem Kae-Kazim, Kyle Chandler, and others, accompanied by music by Junkie XL and cinematography by Ben Seresin. 

    The released teaser trailer is nothing short of exciting. It has the elements fans are no doubt clamoring for: Kong is released to fight Godzilla: the Kaiju is wreaking havoc and attacking cities for seemingly no reason, and Kong is viewed as the only hope to stop him. 

    The trailer hints at two aspects of note: (1) that Kong has a bond with a little girl named Jia (Kaylee Hottle), who may be the only one who can control him, and (2) the film intends to go bigger and bolder than either creature’s prior appearances. Godzilla and Kong are quick, ferocious, and seeming to fight it out, replaying a thought-ended war that left only the two of them still standing. 

    ALSO READ: ‘Exclusive Interview: Mike Ross and 60 Years of Godzilla’ 

    The cinematography appears exciting, the fights vicious, and, unlike prior movies that pitted humans seeking to control the giants, here we see a world set as spectators as two beasts battle it out. We see battles in the sea, aboard battle ships, battles on land, and battles amongst neon gleamed skyscrapers. The trailer hints big, and we can only hope the finished project will do the same. 

    According to Variety, “Godzilla vs. Kong” will be given a double release due to Covid-19, available to watch in cinemas and on HBO Max in tandem. It was originally slated for a May 21 release, but has now been pushed back to March 31 (it may open on March 26 in certain parts of the globe, 5 days early, in regions where HBO Max is not available). 

    Watch the exciting trailer below: 

    Godzilla Godzilla vs. Kong HBO Max King Kong monsters sci fi
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Sound of Metal’—Riz Ahmed is Near-Perfect as a Musician Struggling to Come to Terms with Hearing Loss
    Next Article Review: Francis Lee’s Sublime Period Piece/Romance ‘Ammonite’ is Alluring, Emotional, and Prepossessing
    Mark Ziobro
    • Website
    • Facebook
    • X (Twitter)
    • Instagram
    • LinkedIn

    Mark is a lifetime film lover and founder and Chief Editor of The Movie Buff. His favorite genres are horror, drama, and independent. He misses movie rental stores and is always on the lookout for unsung movies to experience.

    Related Posts

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Action February 22, 2026

    ‘Mercy’ Review: Chris Pratt is One Angry Man

    Horror February 18, 2026

    ‘We Bury the Dead’ Compartamentalises Human Grief Alongside Marauding Monsters

    Netflix January 16, 2026

    ‘Breaking Bad:’ Meth, Violence, and the Destruction of a Common Man

    Whodunnit December 24, 2025

    ‘Wake Up Dead Man’ Review: Third ‘Knives Out’ Installment Finds its Complement in Josh O’Connor

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.