Michael Mann’s “Ferrari” throbs with danger, navigating a whipsawing course of hair-raising thrills and bone-chilling hazards while maintaining a steady,…
“Aggro Dr1ft” feels like a video game cutscene compilation turned into an eighty-minute feature film; at its worst, it takes…
There are two very special films in this year’s New York Film Festival (NYFF) slate that, coincidentally, center around essential…
This year’s New York Film Festival (NYFF) has plenty of films from filmmakers who have slowly curated their own unique…
One of the things I love about the New York Film Festival (NYFF) is their curation for each section of…
The chief concern of Rosine Mbakam’s “Mambar Pierrette” is the fight to survive. But, if that summary regales a large-scale…
The seventeenth edition of the New York Film Festival opened with the Italian provocateur Bernardo Bertolucci’s “Luna” (1979), a love…
Occasionally tragic, sometimes straight to the point, and reminiscent of her newly-revisited “Marie Antoinette” and “The Virgin Suicides,” Sofia Coppola’s…
With “The Beast,” Bertrand Bonello concocts a riveting and piercing Matryoshka doll-like exploration of the erasure of emotions amidst artificial…
It would be simple to call Radu Jude’s “Do Not Expect Too Much From the End of the World” this…