It would be difficult to typecast Sandra Hüller because she’s such a chameleonic and timeless talent. For “Anatomy of a…
Browsing: NYFF
Look past the zany plot summary of Werner Herzog’s “Bucking Fastard.” Actually, no—embrace it, with a thick grain of mined…
“It always looks like that,” Peter (Jordan Firstman) beams to an awestruck Arlo (Reggie Absolom), jointly admiring a luminous New…
‘Nowhere to Lay My Eyes’ (2026; Dir. Hong Sangsoo) If Hong Sangsoo doesn’t have two films at the New York…
Last things, the poet Tess Gallagher wrote in a forward to her husband Raymond Carver’s final poetry collection, “have rights…
Midway through Cristian Mungiu’s “Fjord,” a despondent Lisbet (Renate Reinsve) pleads to her husband, asking what more she can do…
Late-style filmmaking refers to the later-career work of an auteur that deviates from their previous style and aesthetic. The films…
There is something about Jim Jarmusch’s cinema that speaks to me a lot, and I’ve spent quite some time thinking…
Time can be an unsparing villain or an angelic savior in Christian Petzold’s films. In his enigmatic period-piece “Phoenix” (2014),…
The films of Mark Jenkin are unlike anything you see in today’s cinematic landscape. His projects are hypnotic ventures into…