A little boy borrows a needle from a neighbor to use for his makeshift paper pinwheel. After playing for a…
Author: Paul Emmanuel Enicola
Paul Emmanuel Enicola
Paul is a Tomatometer-approved film critic inspired by the biting sarcasm of Pauline Kael and levelheaded worldview of Roger Ebert. Nevertheless, his approach underscores a love for film criticism that got its jumpstart from reading Peter Travers and Richard Roeper’s accessible, reader-friendly reviews. As SEO Manager/Assistant Editor for the site, he also serves as a member of the International Federation of Film Critics (FIPRESCI) and the Society of Filipino Film Reviewers.
A couple prepare a small celebration in their house one night, partaking in an occasion opposite an empty chair across…
An eccentric boy has trouble fitting in at school due to his obsession with crows. His affinity for crows, along…
“I was born during the hardest season—in the season of Fire,” a voiceover in Caylee So’s “The Harvest” narrates. “But…
August 2020. The lives of three young professionals intersect in the post-pandemic lockdown Ibiza where they will try to overcome…
One of the theatrical posters for the Kei Ishikawa’s new film “A Man” (Japanese: ある男, “Aru otoko”) features a man…
Michelle Danner’s latest film, “Miranda’s Victim,” is based on a true story. It recounts the life of Patricia “Trish” Weir,…
“Welcome to Luxembourg Airport,” the airport’s information system reads. Time check: 12:25 midnight. In the now-empty arrival area, a single…
When someone with limitations and impediments makes a decision, do we understand how such small action for us might mean…
Filipino director Quark Henares’ return to the director’s chair with this year’s “Where is the Lie?” (Filipino: ‘Marupok AF’) begins…