“Every human being is a universe within themselves…floating about in eternal darkness—aimless, lonely,” a man reflects with melancholy through a…
Author: Paul Emmanuel Enicola
Paul Emmanuel Enicola
Paul is a Tomatometer-approved film critic inspired by the biting sarcasm of Pauline Kael and levelheaded worldview of Roger Ebert. Nevertheless, his approach underscores a love for film criticism that got its jumpstart from reading Peter Travers and Richard Roeper’s accessible, reader-friendly reviews. As SEO Manager/Assistant Editor for the site, he also serves as a member of the International Federation of Film Critics (FIPRESCI) and the Society of Filipino Film Reviewers.
Over the years, there have been several films that tackle the use of sex as a substitute for emotional connection,…
With their continued support of providing opportunities for Black, Indigenous, and People of Color (BIPOC) filmmakers and storytellers; Indeed partnered…
As a vibrant celebration of independent filmmaking in the Philippines, the Cinemalaya Philippine Independent Film Festival showcases a diverse range…
As a vibrant celebration of independent filmmaking in the Philippines, the Cinemalaya Philippine Independent Film Festival showcases a diverse range…
Several moments throughout Mira Shaib’s debut feature, “Arzé,” I found myself seeing some similarities that “Arzé” has with some of…
Director Tolga Karaçelik’s “The Shallow Tale of a Writer Who Decided to Write About a Serial Killer,” at its core,…
“Why do we always need misfortune to reunite?” Gaspard (Andranic Manet) asks his twin sister Louise (Noée Abita) in a…
For generations, the waterfront of Sunset Park in Brooklyn has been the lifeblood of a thriving industrial hub, providing jobs…
[Note: This review contains discussion of sensitive subject matter including mental illness and suicide that may be triggering for some…