Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Documentary

    Review: ‘The Tinder Swindler’—All that Shines isn’t Diamonds

    Dilip Poddar By Dilip PoddarFebruary 25, 2022No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    The Tinder Swindler
    'Tinder' swindler Simon Leviev (L) is expelled from the city of Athens, Greece. (Photo by Tore Kristiansen/VG/EPA-EFE/Shutterstock 10326205c).
    Share
    Facebook Twitter Email Copy Link

    Netflix’s latest true-crime documentary, “The Tinder Swindler,” uncovers an unbelievable tell-tale drama of fraud, manipulation, and string of financial crimes orchestrated by Shimon Hayut, (a.k.a. Simon Levieve). He’s an Israel-born con artist who misused the app Tinder to defraud women, posing as a diamond mogul’s uber-rich son. The events narrated in the film might seem hard to believe at first, and at times even look made-up. But the film nevertheless raises a dire, legitimate question: how do we trust people in this new-age digital world, and keep them from breaking into our vulnerability?

    Are Dating Apps Safe? Have they Ever Been?

    Whether online dating apps are safe anymore, or have ever been so, is a complex debate; however, it seems Netflix might have a convincing answer—”The Tinder Swindler,” a recent documentary film directed by Felicity Morris. True accounts of people being conned on Internet dating sites is something we usually read in the news; but unless a global menace like that is captured in the big screen, the world doesn’t really take notice. And the problem grows tenfold, no, 10 million fold, when you have Simon Levieve on your dating-app screen, patiently waiting for a right swipe from you, or so we have seen in the film.

    According to estimates, Levieve duped multiple women globally of nearly $10 million largely via Tinder. The the three most significant people among the victims were Norwegian student Cecilie Fjellhoy, Swedish marketing executive Pernilla Sjoholm, and Dutch fashion-professional Ayleen Charlotte; they all who fell victim to Simon’s tricks and the false persona he created to appear irresistible to women. 

    What’s bizarre to see, however, is how law, media, and justice only took notice of his crime trail after damage to these women was already done and they were dealing with the repercussions. The delay of police and media intervention is even more noteworthy here; Levieve reportedly committed financial fraud in multiple geographies and time-zones, and with big finance companies involved.

    Whether online dating apps are safe anymore, or have ever been so, is a complex debate…”

    The Victims Make the Film; a Bold Documentary

    Nevertheless, how the makers of the film managed to interview the three women is undoubtedly a high-stakes arrangement. Here the three innocent women unapologetically narrate their experiences with Simon and his fake-show image that carried on for years. It’s something that earns the film a lot of credibility in its substance. Personally, I’ve seen the likes of such bold interviews only in other recent Netflix documentaries including “Jeffrey Epstein: Filthy Rich” and “Bikram: Yogi, Guru, Predator.” 

    Tinder Swindler
    Ayleen Charlotte, one of the victims conned by Shimon Hayut. (Photo: Netflix).

    “The Tinder Swindler” tries hard to look convincing with original footage, media recordings, and photographs from those involved in the events. However, what we miss in the film is more evidence from other sources. Something more than mobile chat histories could have probably added more weight and gravity to the story. At times, it feels somewhat tiring to believe a story with only limited cellphone evidence at your disposal to back it up.

    ‘The Tinder Swindler’ effortlessly circles back to the question of trust in our lives…”

    Examining the Notion of Trust

    For those who have followed the news recently, it’s been interesting to see a flood of articles on Simon Levieve and his notorious history surfaced on the Internet only after this film debuted on Netflix. It’s crazy in every sense to see a person getting away with million-dollar swindling for so long and living a plus-sized life off other people’s money with no regrets. The film captures Simon’s long-running exploits well.

    Notwithstanding its fairly straightforward construction, “The Tinder Swindler” effortlessly circles back to the question of trust in our lives; this is driven largely by split-second choices in a fast-paced world, and the long-term consequences that follow. It’s unfortunate to know about such devastating crimes still happening in the developed world; it’s equally empowering to see them coming to light through films.

     

     

     

     

    “The Tinder Swindler” is currently available to watch on Netflix via subscription. 

    Support the Site: Consider becoming a sponsor to unlock exclusive, member-only content and help support The Movie Buff!

    crime dating dating apps documentary Shimon Hayut The Tinder Swindler Tinder
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Sing 2’ Brings the Warmth of Seeing its Beloved Characters On-Screen Once Again
    Next Article Review: ‘Mixology’ Perfect Thirteen-Episode Binge Watch
    Dilip Poddar
    • Website
    • Facebook

    Dilip is passionate about cinema. His love for films and writing stems from his education in journalism and communication. Dilip is also an enthusiastic driver, singer, amateur photographer, and a supporter of animal rights. You can see Dilip's photography on 'Unsplash' here.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    TV Series June 11, 2025

    TV Review: How Seth Rogen’s ‘The Studio’ Marries Art and Commerce—and Why It Resonates as a Masterpiece

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Movie Review June 9, 2025

    ‘High School U.S.A.’ Review: Old World Made for TV Comedy

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.