Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Sci-Fi

    E.T. the Extra-Terrestrial (PG)

    Matt DeCristo By Matt DeCristoDecember 30, 2017No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    The magical time period of the early 1980s boasts a handful of legendary movies – perhaps none more iconic and unforgettable than Steven Spielberg’s 1982 classic, “E.T. the Extra-Terrestrial.”

    The perfectly crafted family film won 4 Academy Awards, taking humor, fun, and science-fiction, itself a burgeoning genre for the era, and weaves a masterpiece that decades later is easily recalled by its scenes (one of which is widely regarded as the greatest moment in movie history), marketing, and memorable titular character.

    “E.T” is the nickname given to an alien creature that is accidentally left behind as the movie opens. The puppet itself boasts an authentic presence of its own, in the time before CGI and high gadgetry special effects, it’s brought to life in a way present day films simply can’t do. The viewer understands ET’s fear through his facial expressions and sounds (voiced by Pat Welsh) as he watches in terror as his ship blasts off for space and he is left on Earth alone and scared. Just try to imagine yourself in the same situation. The reclusive alien wanders into the home of a single mother who is struggling to raise her three children, and quickly encounters middle child Elliott (Henry Thomas), forging one of the most endearing and genuine friendships in movie history.

    If you’re a fan of 80s era nostalgia, and I don’t know how anyone can’t be, “ET” has it all. Rotary phones, remote control box television sets, Dungeons & Dragons, Star Wars references, and a character wearing an enviable Space Invaders tee shirt are all present and accounted for. The acting has its shortcomings but for a movie that features children as its primary cast, it manages to successfully pull off the unbelievable.

    Elliott is the typical annoying little brother and he and ET form a bond that’s just as genuine as any other cinematic pairing. We experience through Elliott’s eyes his caring nature as he teaches, feeds, and protects ET from the perils of the outside world. I don’t think one can find a better onscreen friendship that this unusual pair.

    It’s interesting to note that Steven Spielberg hatched the concept for “ET” when he was just 14 years old and his parents got divorced. The character of Elliott is a clear representation of what many children experience when parents split up, and the writing is done in in such a way that the stress and burdens are clearly displayed.

    The cast is rounded out well with Dee Wallace, in her seemingly typical role as an 80s mother, Robert MacNaughton as older brother and Elliott tormentor Michael, and an adorable Drew Barrymore as baby sister Gertie. Antagonists are present in the form of ominous government agents led by Peter Coyote, who are tracking ET.

    Where this movie remains truly magnificent is its handful of touchy and memorable scenes. Iconic images like bicycles flying past the moon, an unforgettable Halloween night, and a tear jerking ending are partnered with a breathtaking score composed by master maestro John Williams. The tones of the film, the relationship between Elliott and ET, and the score itself make the film emotionally charged from beginning to end.

    “E.T. the Extra-Terrestrial” is a movie you may have watched as a kid and surely filed away in your memory. Believe me that its well worth a present day viewing. It manages to hold its luster and appeal still today. Its a perfect watch for all ages, offering today’s movie buffs a peak into the wonders and magic of the films from the previous generation.

    by – Matt DeCristo

    1982 Drew Barrymore E.T Henry Thomas Peter Coyote Steven Spielberg
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleStar Wars: The Last Jedi
    Next Article The Driving Seat (NR)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama June 16, 2025

    ‘Happy Birthday’ Tribeca Review: A Beautifully Grounded Portrait of Classism, Labor, and Girlhood

    Black Comedy June 16, 2025

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Happy Birthday’ Tribeca Review: A Beautifully Grounded Portrait of Classism, Labor, and Girlhood

    By Paul Emmanuel EnicolaJune 16, 20250

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    By Vidal DcostaJune 16, 20250

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    By Vidal DcostaJune 16, 20250

    Trapped in a loveless marriage and repulsed by the repetitive need to conform, Uma (Radhika…

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.