Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    ‘Poltergeist II: The Other Side’ Review: Sequel Makes Overrated Original Look Like Masterpiece of Cinema

    Matt DeCristoBy Matt DeCristoAugust 18, 2025No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Heather O'Rourke in "Poltergeist II: The Other Side." (Metro-Goldwyn-Mayer Studios Inc, 1986).
    Share
    Facebook Twitter Email Copy Link

    “Poltergeist II: The Other Side” is the 1986 follow up to the overrated though beloved horror film.

    I covered the original for the very first Movie Buff Halloween season. It was my debut attempt at shedding a lifelong fear of horror movies. Like its predecessor, “Poltergeist II” includes a litany of out of place special effects and a score that reflects fantasy in lieu of terror. Simply put, it’s a horror film that isn’t scary at all.

    They’re Back

    The family from the original film reprise their roles. The Freeling clan consists of parents Diane and Steve (JoBeth Williams and Craig T. Nelson) and kids Carol Anne and Robbie (Heather O’Rourke and Oliver Robins). Zelda Rubinstein returns as peculiar psychic Tangina Barrons. Will Sampson of “One Flew Over the Cuckoo’s Nest” plays Taylor, a Native American who’s into spirits (ghostly not alcohol). Julian Beck plays the super creepy Reverend Henry Kane.

    The Freeling family is still reeling from the events of the first movie four years prior when uh oh, spaghetti-ohs, the ghosts are back.

    I said say what? (Metro-Goldwyn-Mayer Studios Inc, 1986).

    It’s an 80s movie to be fair. The look, sound, and effects are right at home in the decade. Like the OG, there are some creepy parts. Robbie’s iconic clown has been replaced by a chilling doll – jeeze don’t these kids learn? For the most part it’s a fantasy story masquerading as horror. Lots of flashbacks to the original film pad the 90 minute run time.

    The Curse

    We can’t have a “Poltergeist” review without discussing the Poltergeist Curse. Four actors from the first two movies died young – the most infamous being Heather O’Rourke who passed away at age 12 in 1988 whilst filming “Poltergeist III”.

    Julian Beck in his final role “Poltergeist II: The Other Side.” (Metro-Goldwyn-Mayer Studios Inc, 1986).

    The only member of the Freeling family not to return for the sequel was Dominique Dunne, who was murdered by her ex-boyfriend a few months after the initial film was released.   

    “Poltergeist II” would be the last film for Will Sampson who died of a rare condition at age 53, one year after the movie. It would be the last film for Julian Beck as well, who died of cancer at age 60 before filming was finished. In this situation, reality is spookier than the movies themselves.

    We are two weeks away from Two Months of Terror. I decided “Poltergeist II: The Other Side” isn’t worth saving for horror movie season. It is however watchable as a warmup.

    Heather O'Rourke JoBeth WilliamsCraig T. Nelson Oliver Robins
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous Article‘Good Luck to Me’ Review: A Somber Yet Hopeful and Empathetic Divorce Short
    Next Article ‘A Ghost Story’ Review: Unusual Presentation of Love, Grief, and the Meaning of Life  
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Horror February 28, 2026

    Why Do We Keep Returning to the ‘Scream’ Films?

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.