Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    ‘Moonstruck’ Review: Simple Old School Romcom with Little in the way of Romance or Laughs

    Matt DeCristoBy Matt DeCristoApril 16, 2025No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Cher and Nicolas Cage star in "Moonstruck" (Photo: Metro-Goldwyn-Mayer (MGM), 2987).
    Share
    Facebook Twitter Email Copy Link

    “Moonstruck” is a simple old school romcom that came to me with high praise. The 1987 flick was written by John Patrick Shanley and directed by Norman Jewison. It won three of the six Academy Awards it was nominated for—a staggering amount considering the genre. However, I was unimpressed.

    The Good

    “Moonstruck” is set in New York City and the old-world skyline, dominated by the Twin Towers, plays a key role. It’s set in December, and as such the city is decorated with the appropriate holiday flare. And I loved the opening credits which roll to the tune of Dean Martin’s “That’s Amore.” I’ve said it before and doubtless will again. There’s just something about this old world that I can’t explain what I love.

    Loretta Castorini (Cher) is getting engaged to a man she loves but isn’t exactly in love with. Loretta lives in Brooklyn Heights with her overbearing Italian American parents, played by Olympia Dukakis and Vincent Gardenia.

    Loretta’s fiancé (the great Danny Aiello) asks her to invite his estranged brother to the wedding. This is where Loretta meets Ronny (Nicolas Cage), with whom she falls in love with whilst her fiancé is out of town.

    The Stars

    The acting is fine with all players. Cher won the award for Best Actress. I’m not sure of the competition that year, but she does an excellent job considering her primary background is music. Side note, Olympia Dukakis won the award for Best Supporting Actress.

    And it’s fun to watch a young Nicolas Cage in his breakout performance. The character of Ronny is hot-headed and fiery. Traits of an Italian for sure, and something Cage can easily pull off. Julie Bovasso, Louis Guss, and a pre-“Frasier” John Mahoney lend support.

    The Bad

    Moonstruck
    Nicholas Cage in “Moonstruck.” (Photo: Metro-Goldwyn-Mayer (MGM), 1987).

    I found “Moonstruck” boring. The run time of 102 minutes isn’t long on its surface, but here it drags for some reason. And while there are a few chucklesome moments, I never laughed.

    Loretta and Ronny weren’t passable with their love affair. They argue. Cage acts unhinged. Then they inexplicably sleep together. The passion isn’t earned, and the chemistry is missing altogether.

    And I get that Loretta doesn’t love her fiancé. But its tough to root for someone who is blatantly cheating on their significant other. If that’s not enough, Loretta’s dad is cheating on her mom and Loretta’s mom is contemplating cheating on her dad. So funny.

    “Moonstruck” won a bunch of awards and comes with high praise from the typical gauntlet of film critics. At the end of the day, it’s a comedy that isn’t funny featuring characters that aren’t likable. It’s fine but nothing I would ever willingly watch again.

     

     

     

     

     

    Cher Danny Aiello John Mahoney Julie Bovasso Louis Guss Nicolas Cage Olympia Dukakis Vincent Gardenia
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleFirst Look: What We Know About the ‘I Know What You Did Last Summer’ 2025 Reboot
    Next Article ‘The Ugly Step Sister’ is A Stomach-Churning Tale Of Ill-Fitting Beauty Standards
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Romance February 24, 2026

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.