“It Ends with Us” could have shone a light on this, delivering a powerful message on the horror of domestic violence and the extreme hardship involved in leaving an abusive partner and the strength of the women who escape it. Instead, the film is so fluffy and innocuous that it makes a Hallmark Channel film look like “Taxi Driver” by comparison.
Downplaying the Novel’s Seriousness in Lieu of Romance
Lily Bloom (played by Blake Lively), having moved from Maine to Boston, works on fulfilling her dream of opening a floral shop. When her father (who physically abused her mother) dies, she wrestles with her resentment and hatred towards him, causing her to have a chance encounter with Ryle Kincaid (Justin Baldoni), a handsome neurosurgeon with a dark past. As the two grow closer, Lily runs into old flame Atlas Corrigan (Brandon Sklenar), who she hasn’t seen in years and once thought was the love of her life. When Lily’s relationship with Ryle degenerates into domestic violence (with hot-tempered Ryle continuing to “accidentally” hurt her), will Atlas be able to convince her to leave him?
This film screams “vanity project.” Blake Lively (who’s undeniably beautiful) is always tossing back her hair, the camera putting her in close-up so frequently you start to forget where she’s currently located in any given scene as her features fill most of the screen. Rudolph Valentino didn’t get this many close-ups.
Justin Baldoni and Brandon Sklenar—her two male co-stars—are equally handsome and perfect. At one point in the film, Lily flashes back to when she was younger and first met Atlas, who at the time is homeless. And guess what? Even the actor playing young Atlas (Alex Neustaedter) is perfect looking. Despite the fact he’s homeless, his hair is perfectly quaffed and there’s not a blemish or spot of dirt on him. It’s like Justin Baldoni—who both starred in and directed the film—was terrified of anyone looking the slightest bit imperfect or acting too insane. Every character and every personality is muted to the point of being flatline (whether the fault is Baldoni’s, or onset drama that may have wrested creative control from him, remains to be seen).
Sidestepping Domestic Violence Themes
Even the great Jenny Slate, who I adore and I think is one of the most entertaining actresses working these days, is reined in to the point where she delivers her lines in monotone, stripping any zinger she says of any humor whatsoever. How I longed for her to suddenly transform into Mona-Lisa Saperstein, the hilariously loud and bonkers character she played on “Parks and Rec” and start hurling insults at everyone, calling everyone “bro” then diving into a breakdancing routine in the middle of Lily Bloom’s floral shop. Oh Jenny, you deserve better than this!
There’s one scene at the movie’s climax that’s a bit harrowing, and it’s the only part of the film that’s halfway committed to showing the helplessness a person feels when overpowered by their abuser and the ugliness of the violence. It’s definitely the most gripping part of the film.
Unsure of who ‘It Ends with Us’ Was Made For
I’m puzzled by who this movie is supposed to appeal to. It’s too vapid to appeal to older adults and too dark to appeal to younger adults looking for a breezy romantic film. At the showing of the film I attended, before the movie started a whole row of girlfriends (looking to be in their early 20s) sat behind me giggling, talking over each other excitedly and sounding ready to enjoy an epic romance film. As it concluded, none of them made a peep as they shuffled quietly out without a syllable uttered between them. Were they shocked by it or just bored into silence? Had one or more of them experienced domestic violence themselves and were offended by the too-gentle touch the movie applied to the subject? Only their future social media posts hold the answers, and I guarantee they’ll be more thought-provoking and interesting than this film.
“It Ends with Us” is currently only available to watch in theaters.
