Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    Revisited: ‘The Nightmare Before Christmas’ 30 Years Later and Still an Amazing Film

    Matt DeCristoBy Matt DeCristoOctober 30, 2023No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Trick or Treat!
    Share
    Facebook Twitter Email Copy Link

    Hard to believe, but “The Nightmare Before Christmas” is 30 years old. Tim Burton’s legendary stop-motion animated musical was released in 1993. Putting that into context, it was the first film ever to receive an Academy Award nomination for Best Visual Effects – which it lost to “Jurassic Park.” That’s some fierce competition.

    This film was revolutionary for its time. But the unique animations, iconic characters, and catchy musical numbers remain relevant today. Filmmaker Tim Burton and director Henry Selick (in his debut) created a masterpiece that belongs on the Mount Rushmore of holiday films. What’s insane is that this could easily resents both the Halloween and Christmas holidays.

    Iconic Characters

    “The Nightmare Before Christmas” introduces us to Jack Skellington – the Pumpkin King leader of Halloween Town. Jack has become a mainstay of Halloween décor in the decades since. His likeness appears on every store shelf and many front yard displays. Even if you have never watched the movie, you’ll recognize his ghoulishly grinning mug.

    Jack Skellington and his ghostly dog, Zero

    Jack Skellington was voiced by Chris Sarandon, with his songs performed by Danny Elfman. And he’s a complex character, despite being an undead animation. Jack gets bored with his role in Halloween Town. Tired of his monotonous place in the universe. One day he discovers the beauty of Christmas, and decides to hijack the holiday for himself.

    A fellow Halloween Town resident named Sally, voiced by Catherine O’Hara, has hidden feelings for Jack. Much of the story is witnessed from the perspective of Sally – a rag doll animated by the resident mad scientist. It makes for the inclusion of a touching love story.

    Mesmerizing Animations

    The animations are one of a kind. Each character is crafted with a unique personality. The residents of Halloween Town feel alive. Werewolves, clowns, zombies, witches – the realm is inhabited by exactly who or what we would expect.

    Mr. Oogie Boogie

    While mostly comical, some images are a bit gruesome (it is Halloween Town after all) and may be too scary for really young viewers. The antagonist comes in the form of Oogie Boogie, who is particularly macabre.

    “The Nightmare Before Christmas” is as close to perfection as a movie can get. It’s 76 minutes without a single wasted frame. Plan on it being longer as you’ll want to rewind and rewatch multiple scenes and songs.

    The Nightmare Before Christmas

    The soundtrack – composed by Danny Elfman – is amazing. You’ll find yourself signing and humming long after watching. It’s characters are original and legendary; Jack Skellington, Sally, Oogie Boogie. They’ve maintained permanent residence in the zeitgeist since their inception.

    “The Nightmare Before Christmas” straddles both Halloween and Christmas, and as such, can and should be watched and enjoyed at any time.

     

     

     

     

    “The Nightmare Before Christmas” can be streamed or purchased.

    Catherine O'Hara Chris Sarandon Danny Elfman Tim Burton
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleimagineNATIVE 2023: Lily Gladstone Shines in ‘Fancy Dance’, an Unflinching Exploration of the Marginalization of Indigenous Peoples
    Next Article imagineNATIVE 2023 Review: Set During the Height of COVID, ‘Tautuktavuk’ is an Evocative Tale of Healing from Trauma
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Action February 22, 2026

    ‘Mercy’ Review: Chris Pratt is One Angry Man

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.