Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Drama

    Review: ‘Missing’ Brings a Harrowing Concept to the Digital Age, from a Small Screen

    Meghann BiggBy Meghann BiggMay 7, 2023No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Missing
    Megan Suri and Storm Reid in "Missing." (Photo: Temma Hankin - © 2022 CTMG).
    Share
    Facebook Twitter Email Copy Link

    In 2018, a suspenseful thriller set in the world of a computer screen was released called “Searching;” it was the perfect film for a new era of cinema-goers growing up with computer screens being the norm. However, before this, the 2014 pure horror flick “Unfriended” started this new concept of a film centred around a computer screen. It showed us that suspense can be created from the online world. And now this universe has been expanded with the 2023 thriller “Missing.”

    The film is not a direct sequel to “Searching,” but it does follow the same plot. All of the drama unfolds on someone’s MacBook — but the drama has been upped, as a next instalment should do. The film follows a daughter left home alone when her mom and new boyfriend go away on holiday. And, as most teenagers, she is using the time away to party with friends and enjoy the extra money her mom has left her — in case of ‘emergencies,’ which is looked at in the lightest of terms. The drama starts to creep in when she goes to pick her mom up from the airport and she’s nowhere to be seen. So starts the technological search for her mom and boyfriend using apps such as Google Maps to track their locations. 

    Storm Reid’s Performance is Engaging

    With “Searching,”  the film surrounded around an older man; but “Missing” is centred around an eighteen-year-old girl. It’s a smart move, as it makes more sense for an extremely tech-literate young girl to take on the challenge of finding her mom through the power of the Internet. Storm Reid’s performance is engaging even through a computer screen; she also helps contribute to how emotional the story is, and that she doesn’t know where her mom is or if she’s still alive. The film is mostly focused on her, but yet she manages to hold the audience until the third act. It’s here where the action really ramps up, and there’s a reveal that audiences will not see coming. However, it allows Reid to bring her emotion to the screen. 

    Critically, even though this concept does work well for suspense and for the Gen Z era, older moviegoers may find this very far-fetched, such as the older character in “Searching.” However, in “Missing” — as the character is younger — she leaves her FaceTime camera on the whole time. Even when she’s not on a call audiences are able to see all the action that occurs. Once you overcome that the film is all from a computer screen, audiences will be captured by Reid’s capabilities to find her mom, even though she is in another country. The unique filming style also allows audiences to experience Reid’s emotional performance, which carries the film to its climatic third act, stunning viewers by what they see unfold, even on the small screen. 

     

     

     

     

    “Missing” is now available to stream on most streaming platforms. 

    Ava Zaria Lee computers facetime Nia Long Storm Reid streaming thriller Tim Griffin
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: Sorkin’s Biographical Drama ‘Being the Ricardos’ is Brought Down Somewhat by its Ambitious and Muddled Narrative
    Next Article Review: ‘Are You There, God? It’s Me, Margaret’ is Yet Another Nuanced Coming-of-Age Picture by Kelly Fremon Craig
    Meghann Bigg

    Meghann is an aspiring entertainment journalist who mainly writes about film. Her favourite genres are musical, fantasy, and psychological thriller (favourite movies include: "Gone Girl," "Titanic," and "Mary Poppins."

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Marvel May 30, 2026

    Review: The TV Series ‘Spider-Noir’ Mixes Detective Work and Action — and Nicholas Cage

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.