Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Comedy

    Review: Nice Guys Finish Last in Martin McDonagh’s Slow-burn Dramedy ‘The Banshees of Inisherin’

    Vidal DcostaBy Vidal DcostaDecember 19, 2022No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    The Banshees of Inisherin
    Brendan Gleeson and Colin Farrell in "The Banshees of Inisherin." (Photo by Jonathan Hession. Courtesy of Searchlight Pictures)
    Share
    Facebook Twitter Email Copy Link

    As the Irish Civil War rages in the backdrop, there’s another war brewing between two ex-best friends in the quaint coastal village of Inisherin. Pádraic (Colin Farrell), who is perceived to be the ‘nice guy’ of the village, is attempting to process the sudden silent treatment meted towards him by his only friend, Colm (Brendan Gleeson), a self-centred and brooding pub musician. Colm wishes for some peace and quiet and now cold-heartedly views his jovial and simple-minded counterpart as nothing but a “distracting dullard” and a “nuisance.” What begins as a mere avoidance of each other’s paths, however, snowballs into both parties venting their frustrations and dislike for the other via desperate and extreme measures. The film’s second, rather bloody half, furthers this divide, with the duo’s bonds with family members (as Padraic’s caring sister Siobhan) and locals alike also souring.

    A word of warning: while its deceptive trailer might have promised a simple dark comedy, “The Banshees of Inisherin” proves to be the opposite of cheery and feel-good. I would even go so far as to categorise it as the ultimate break-up movie. The movie starts with an abundance of gallows humour lacing the interactions between its characters (the confessional scene featuring Colm accusing the parish priest of impure thoughts especially coaxes the loudest chuckles). However, as the movie progresses, it shifts gears into grim and gloomy territory as Colm resorts to drastic acts not for the faint of heart in his inane resolve to sever ties from hurt puppy Pádraic, who desperately clings on to the hopes of a reconciliation.

    Strong Characterisation and Explorations

    The movie also prompts one to ponder its many philosophical musings and dialogues about the changing, often-heartbreaking nature of long-standing platonic relationships, and the tidal wave of grief when an abrupt rift occurs. The usage of foreshadowing must be lauded, as even brief moments such as Pádraic’s awkward encounter with Mrs. O’Riordan (Bríd Ní Neachtain), a mysterious ‘Baba Yaga’-esque figure known among the locals. Her early prophesies earl on—and the discovery of a strange, makeshift harpoon-like device by the local policeman’s misunderstood and socially ostracized son Dominic (Barry Keoghan)—trigger jarring, unpredictable, and unsavoury events towards the film’s climax.

    The characterisation in “The Banshees of Inisherin” is another of its positives, and the movie excels at being a character study of not only its juvenile main protagonists, but the rest of the eccentric villagers. They are caught up in the midst of Pádraic and Colm’s tempestuous feud, and bids at intervention only set off a domino effect in the tight-knit community on the island.

    The Banshees of Inisherin
    Brendan Gleeson in a scene from “The Banshees of Inisherin.” (Photo by Jonathan Hession. Courtesy of Searchlight Pictures).

    The sincere performances by an ensemble cast featuring Kerry Condon, Colin Farrell, Brendan Gleeson, Barry Keoghan, and others enhance the movie as well. Farrell chews up the scenery even from veterans like Gleeson, delivering probably his most sympathetic, memorable, and gutting performance to date (second only to his under-appreciated turn as an alcoholic, deadbeat father in “Saving Mr Banks”). He deserves all the accolades (Farrell has received multiple ‘Best Actor’ nominations from various film festivals and award bodies).

    A Slow-burn Depiction of Emotional Duress

    Farrell especially excels at subtly fleshing out the stark contrast between the two Pádraics: one, a naïve, confused, but good-intentioned man in the first half—as someone akin to a ‘human rainbow’—(a complete opposite to Colm’s despaired outlook on life), and the latter, a disintegrating shell of his former self. Pádraic caves in to the cruel winds of change until he is no longer the ‘nice guy’ of the village, but something else. The visuals are another highlight, with the cinematography by Ben Davis beautifully capturing the breathtaking Irish scenery.

    While I still find it unfathomable that anybody would ever think of unfriending Colin Farrell, rest assured, “The Banshees of Inisherin” is worth a watch for the overall stomach-churning, slow-burn, yet sensitive manner in which it addresses the emotional duress of a nice guy gone bad.

     

     

     

     

    “The Banshees of Inisherin” is still available to watch in select theaters. It is also available to stream on HBO Max. 

    breakups Brendan Gleeson Colin Farrell dark comedy feuds friendships grief Ireland Martin McDonagh mental health prophecies pub village
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Avatar: The Way of Water’ Brings Back Visuals and a Simplistic Story, but Improves Upon its 2009 Predecessor
    Next Article Review: ‘Up in the Air;’ a Great George Clooney, a Somber HR Tale About Loneliness, Detachment, and Finding Your Way Back
    Vidal Dcosta
    • Website

    Vidal is a self published author on Amazon in sci-fi and romance and also has her own blog. She is a movie buff and also contributes TV show and movie reviews to 'Movie Boozer.' Vidal also writes short stories and scripts for short films and plays on 'Script Revolution' and is an aspiring screenwriter.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Romance February 24, 2026

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.