Close Menu
    Facebook X (Twitter) Instagram
    Tuesday, July 21
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Film Festival

    TIFF 2022 Review: ‘Carmen’ Features More Dance Than Music, But It’s Wholly Unique

    Daniel PrinnBy Daniel PrinnSeptember 18, 2022No Comments2 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Benjamin Millepied’s first film is a unique effort, namely for its combination of music and dance. Based on one of history’s most popular operas and transported to the modern day on the U.S./Mexico border, “Carmen” follows its titular character (Melissa Barrera) as she escapes the dangers of Mexico and a dangerous cartel and lands in America. There, she meets Aidan (Paul Mescal), who saves her from the hatred in America, and they flee to Los Angeles together.

    While fellow musical at the festival “The Swearing Jar” lives on hope, “Carmen” is a much more serious musical, and one that doesn’t feel like a musical in the traditional sense. There are about five or six songs throughout the film. It’s a unique project from “Black Swan” choreographer Benjamin Millepied, heavily featuring dance. These sequences are brought to life by electric choreography and a classic score by Nicholas Britell.

    More dance than musical

    There are many dance interludes within the film, and it’s easy to be in awe about the precision on display in the choreography, as they tell a story through movement. For myself, I don’t personally get emotionally moved by dancing, so that’s easily my disconnect from “Carmen.” Especially since one might expect a musical in the more traditional sense.

    For that reason, “Carmen” is more of a technically strong film, with the talent and effort that goes into a project like this so evident. Melissa Barrera also gives it her all, shining in the role, both in her singing and choreography, and the emotional bonds she forges in the film, between romantic partner Aidan and family friend Masilda (Rossy de Palma), who gives the pair refuge in Los Angeles.

    As for the actual musical scenes, they hit strong notes. The sound mix is all around very good, though Elsa Pataky’s one chance to sing as Gabriella is a bit louder than everything else and feels disconnected from the soundtrack. A scene towards the end of the film where we’re treated to some rap is a big highlight. Its choreography of brutality to the rawness and visceral energy that the specific singer brings to the scene is memorable.

    2022 Carmen film festival Melissa Barrera musical Paul Mescal TIFF
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleTIFF 2022 Review: ‘Sisu’ is A Gory, Thrilling Midnight Madness Film
    Next Article (Don’t You) Forget About How Iconic ‘The Breakfast Club’ is; an Examination of Hughes’ Masterpiece
    Daniel Prinn
    • Website
    • X (Twitter)

    Daniel is a lover of cinema and looks at the cast, characters, and how well a movie executes the genre. Daniel also looks at the plot and his level of enjoyment. He tries to be fair to a movie’s audience, even if a particular film isn’t his cup of tea. In addition to writing for "The Movie Buff," Daniel has been writing theatrical reviews for his own blog at “Filmcraziest.com."

    Related Posts

    Independent July 13, 2026

    UK Asian Film Festival 2026: ‘Shadowbox/Baksho Bondi’ Navigates a Mind Imprisoned by Illness

    Film Festival June 21, 2026

    Tribeca 2026 Review: ‘Stand Clear ‘ the Closing Doors’ is Too Short to Fully Make its Points Stick

    Interview June 18, 2026

    Tribeca 2026: Interview with ‘Saba’ Writer and Director Liron Topaz on his Dreamlike Animated Short Film

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Gail Daughtry and the Celebrity Sex Pass’ Review — The Funniest Movie Since Last Year’s ‘The Naked Gun’

    By Nathan FlynnJuly 20, 20260

    ‘Drop’ Review: Thriller Ripe with Plotholes yet Painfully Addicting

    By Matt DeCristoJuly 20, 20260

    ‘Sneakers’ Review: Star Packed Cast Delivers a Lesson in Acting in this ’90s Comedy Caper

    By Matt DeCristoJuly 19, 20260

    ‘Short Cuts’ Review: Ensemble Cast, Dozens of Characters, Numerous Stories Comprise Robert Altman’s Indie Dramedy  

    By Matt DeCristoJuly 18, 20260
    Follow Us
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    • Bluesky
    Bollywood
    Superhero

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    In a bid to feel less alienated at his new school, Dipu (Mihir Godbole) cooks…

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.