Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Documentary

    Sundance 2022 Review: ‘The Exiles’ a Brave Documentary About the Importance of Remembering History

    Brayan de Jesús RiveraBy Brayan de Jesús RiveraJanuary 25, 2022No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    The Exiles
    Yan Jiaqi, Wu'er Kaixi, and Wan Runnan appear in "The Exiles" by Ben Klein and Violet Columbus. (Courtesy of Sundance Institute | photo by Christine Choy).
    Share
    Facebook Twitter Email Copy Link

    “The Exiles” is a documentary that starts as a celebration of the incredible trajectory of documentarian Christine Choy until it evolves into a different kind of narrative about the Tiananmen Square massacre of 1989. Both subject matters are interesting and relevant, but each deserves its own film. 

    An Often Controversial Documentarian; but History Matters

    Christine Choy is a renowned documentarian that describes herself as an unconventional thinker, filmmaker, and professor. The first 15 minutes of the documentary attempts to do a summary and a genuine description of who Choy is as a filmmaker. Among her successes, there is an Academy Award nomination for her film “Who Killed Vincent Chin?” She has a great commitment to expose injustices and support social causes.

    Choy’s work has been described as confrontational and often deals with political issues. After the Tiananmen Square massacre, she started recording interviews and press conferences with some leaders who managed to escape the Chinese government and relocated to the United States. After a while, she had tons of footage, but the project was never completed because she lacked funds. “The Exiles” ends up being an attempt to reconnect with that material and reflect on what has happened during the last 30 years. 

    A Demonstration that Led to a Massacre

    To put into context, the incident in Tiananmen Square started as a student-led protest. They were demanding freedom of press, speech, and even their education. Subsequently, the demonstrations grew bigger, and the government started to feel threatened. On June 4, 1989, the lights on Tiananmen Square went off. The military stormed the place and started shooting. To this day, there’s no official estimate of how many people were killed that day. The survivors were persecuted by the government and forced to live in exile. 

    After decades, Choy realized in one of her trips that kids don’t know about what happened in Tiananmen Square.”

    Christine Choy focused her project on the following three exiles: Wu’er Kaixi, a student and activist; Yan Jiaqui, a political scientist that was an advisor for the government; and Wan Runnan, a businessman who founded the largest private company in China at the time. After decades, Choy realized in one of her trips that kids don’t know about what happened in Tiananmen Square. She expresses outrage that there weren’t any real consequences, just silence. The documentary then focuses on her encounters with the three exiles she interviewed decades before. In those encounters, the film provides a contrast between how these people felt back then and now. 

    The Exiles
    Christine Choy appears in “The Exiles.” (Photo courtesy of Sundance Institute).

    Tiananmen Square ‘Happened;’ and Christine Choy Wants that Remembered

    The footage and interviews made after they were exiled to the United States reflect their confidence and hope that China was just starting to change. There was no doubt the government would have to pay for their human rights violations. Yet, decades later, nothing has happened still. This documentary succeeds when it manages to capture the sense of hopelessness and betrayal. During a celebration of the 30th anniversary of the massacre, one of the exiles exclaims, “we were betrayed.” He and many others questioned the reaction of the United States—how they were forgotten because the entire world was convinced that nothing happened.

    As a whole, “The Exiles” tries to be two things simultaneously. The moments with Christine Choy are funny and insightful of who she is as an artist and human being. Still, the moments with the exiles remind the viewer of a moment in history that not many people acknowledge. “The Tank Man” is probably one the most known images in history; a man stood in front of several tanks to stop them from going forward. That image proves that the Tiananmen Square massacre happened. Most people know about it, but decide to ignore it. It’s curious if “The Exiles” will have any repercussions in China, but at the very least, it accomplishes its mission to make us remember. As Choy said at one point, “History is history. Fact is fact”.

     

     

     

     

    This review was written from day 5 of Sundance Film Festival’s 2022 programming. 

    Support the Site: Consider becoming a sponsor to unlock exclusive, member-only content and help support The Movie Buff!

    China Christine Choy documentary history Sundance Tiananmen Square Massacre
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleSundance 2022 Review: ‘Dual’ Features a Great Karen Gillan, but Sadly Contains Many Undercooked Ideas
    Next Article Sundance 2022 Review: ‘Girl Picture’ a Solid Effort, Containing Lovable Characters You Wish You Could Spend More Time With
    Brayan de Jesús Rivera

    Brayan is a 23 year old Puerto Rican film critic, who's currently a graduate student and part of a film podcast called 'Entucineastas.'

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Romance February 24, 2026

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.