Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Action

    Review: ‘Spider-Man: No Way Home’ Creates Big Expectations…and Exceeds them with Style and Flair

    Molly MortimerBy Molly MortimerDecember 17, 2021No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    No Way Home
    Tom Holland in "Spider-Man: No Way Home." (Photo: Marvel Studios).
    Share
    Facebook Twitter Email Copy Link

    Tom Holland’s third and potentially final outing as the webbed hero is the epitome of fan service; it takes Peter Parker on an emotional journey of loss and sacrifice. Jon Watts provides Marvel fans with a multiverse-sized event that manages to inject intense emotion into a high-octane franchise. 

    The Continuation of a Saga…

    Continuing from the end of “Spider-Man: Far From Home,” “Spider-Man: No Way Home” opens with the aftermath of Peter’s identity being revealed and accused of murdering Mysterio (played by Jake Gyllenhaal in the previous installment of the “Spider-Man” trilogy). Peter now must deal with the fact that his identity is out in the world and the ensuing legal problems; and it’s not long before the people around Peter soon begin to be affected by this. But when the troubled teen decides to turn to Doctor Strange (Benedict Cumberbatch) for help, what follows is an explosive, emotional chain of events that will affect Peter forever.   

    Jon Watts (“Cop Car” and the upcoming “Fantastic Four” movie) brings fans of the titular hero a well-paced film that brilliantly ties up three generations of this well-loved hero. The slightly muddled plot spans over 148-minutes and allows Tom Holland to show off his abundance of talent; he gives a brilliant performance that puts “Spider-Man: No Way Home” up there with some of the actor’s best work. Though the film’s villains are ones we’ve seen  before, Watts presents them in a new and exciting way. As a result, the film doesn’t feel overstuffed or overcrowded. Composer Michael Giacchino returns to provide the film with a magical score that takes you through every emotion alongside Peter. 

    Tying in ‘No Way Home’ to the Past and Future of the MCU

    “Avatar” and “Southpaw” cinematographer Mauro Fiore supplies “Spider-Man: No Way Home” with impressive visuals that take viewers on a visual journey from New York City to the geometric mirror dimension. Fiore’s cinematography works hand-in-hand with the film’s incredible visual effects; however, at times the effects can’t help but feel like there’s a bit too much. In classic Marvel fashion, “No Way Home” ties into some of the studios previous projects as well as the future of the expanding universe. Watts gives audiences the first look at the multiverse in action after it was first introduced in Kate Herron’s “Loki” and Byran Andrews’ “What If…?” The film then sets up upcoming projects like “Doctor Strange in The Multiverse of Madness” which also stars Benedict Cumberbatch as the Sorcerer Supreme. 

    No Way Home
    Zendaya and Tom Holland in “Spider-Man: No Way Home.” Photo: Marvel Studios.

    The film sends Peter Parker on an emotional rollercoaster, forcing him to deal with themes of grief, sacrifice, and relationships. It also reiterates the struggle Peter faces as he tries to balance being a teenager with being a world-saving superhero. Despite being a darker, more emotional Spidey film, Chris McKenna and Erik Sommers manage to keep the comedy consistent throughout. What follows the chaotic opening scene is 148 minutes of mind-blowing action and heart-wrenching emotion; it makes the long wait audiences waited for the film completely worth it. But even though the film’s action scenes feel slightly repetitive, intense hand-to-hand combat puts an exciting twist on Spidey’s normal fighting style. 

    The film sends Peter Parker on an emotional rollercoaster, forcing him to deal with themes of grief, sacrifice, and relationships.”

    Building a Newer, Stronger Spider-Man

    This film’s a welcome addition to the previously small amount audiences have seen of Peter and MJ’s (Zendaya) blossoming relationship. And even though the ending may put the couple’s future into doubt, subtle glances and awkward encounters will make viewers feel optimistic about Peter and MJ’s future together. The ambiguity that surrounds Tom Holland’s future in the Marvel Cinematic Universe makes the film’s ending a perfect send off for the character but also a perfect place to pick up from in future projects. Because, by the closing scenes, we are introduced to a new Peter Parker; we see a version of Holland’s character that feels more mature and tough. 

    The third film in MCU’s first Spider-Man trilogy is a powerful affair; it sends the friendly neighbourhood webslinger to hell and back as he tries to fix the mess he finds himself in after the events of the previous film. Jon Watts creates a film that lives up to big expectations and even goes one further. Featuring an incredible performance from Tom Holland, terrific cinematography from Mauro Fiore, and great direction from Jon Watts, “Spider-Man: No Way Home” is a spectacular film that makes it one of 2021’s most exciting projects. 

    “Spider-Man: No Way Home” is currently only available to watch in theaters. 

     

     

     

     

    Dr. Strange Marvel Peter Parker Spider-Man Spider-Man: No Way Home Tom Holland Zendaya
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Mixtape’ Excellent Film for Nostalgia Junkies
    Next Article Review: ‘A California Christmas: City Lights’ Lauren Swickard Returns as Writer and Star
    Molly Mortimer
    • Website

    Molly is a 18-year-old student from the United Kingdom. She loves to watch all genre of movies, but her favourite is drama. Molly's favourite films are "Frances Ha," "The Menu," and "Babylon." She is studying towards a career as a movie critic. In addition to writing for The Movie Buff, she spends most of her time writing reviews to post on her website at Molly's Film Reviews.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Action February 22, 2026

    ‘Mercy’ Review: Chris Pratt is One Angry Man

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.