Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Short

    Review: ‘Live Health’ a Powerful Indie about Mental Health, Teletherapy, and the Effect of the Pandemic on its Practitioners


    Mark ZiobroBy Mark ZiobroOctober 17, 2021No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Live Health
    Timothy Cox in "Live Health." Submitted photo.
    Share
    Facebook Twitter Email Copy Link

    “Live Health” is a short, independent film written by actor Timothy J. Cox, and produced and directed by Timothy and Jamie Cox. This is an intimate story, a story about a mental health therapist conducting video chat sessions from home that takes into account his own mental health as well as the pressures of the pandemic. This is a timely piece; Timothy Cox, as the therapist, imbues all the nuances of being in a helping profession and approaching burnout. “Live Health” doesn’t mean to judge however, but to let us understand. The cinematography shines a light on the film’s protagonist and lets us infer what we will. The result is poignant and real. 

    Cox, a film and stage actor from New York, has played a plentitude of characters on-screen, both comedic and serious. However, none of it approaches his deft with “Live Health,” which requires capable facial acting and body cues with little in the way of speech to guide him. We watch as Cox’s “Doctor Marcus” listens to many of his patients throughout his day, choking his emotions to try and help them. Marcus doesn’t say much; he does’t have to. His patients take cues from him and share their darkest struggles.

    One of the strong parts of “Live Health” is the selection of actors to play Marcus’ patients and their stories. Writer Cox has really hit the nail on the head of both what it’s like to be in a helping profession and what kinds of things a professional in this capacity would hear from day-to-day. Some patients have trouble opening up, others speak garrulously; and yet others live in denial, blaming Marcus for his “bad advice” when it is clear they have yet to really try it. These are people with real problems; I laud Cox for writing believable characters and not simply caricatures of what he thinks mental health treatment is like. 

    But some of the best parts of this 9-minute short are Cox’ mannerisms when he’s on the camera and off. The opening shows him slumped, lifeless in a lawn chair outside his house before his first session begins, resignedly placing his eyeglasses back on his head and heading inside. The eyeglasses come into play a lot; between sessions he takes them off, rubs his head, and then places them back on to continue his next session. In this way, the film has notes of “Glengarry Glen Ross” by David Mamet. However, unlike that film, Marcus’ profession is worthwhile; but his own mental health is suffering as a result of helping so many people, worsened, doubtless, by the pandemic. 

    Live Health
    Some of the faces in “Live Health.” Submitted photo.

    The film has excellent cinematography, and Timothy and Jamie Cox juggle Marcus’ many patients well. It’s a testament to the film’s success that its camera, which points at little but Marcus and a laptop screen, has the impact it does. You feel Marcus’ plight, as well as his patients. But it’s here the film’s only criticism comes: while its ending is apropos, and realistic, I wish the film had been longer to really hammer home the themes it intends to elaborate on. How does Marcus’ burnout affect his patients? Does it show, or is its effect merely only visible to him, as most of our own struggles often are. Also, how are his patients bettered by Marcus’ presence in their lives? Most often, we affect people deeply without even knowing it. I can’t help but wonder if this validation is what is missing from Marcus’ life. 

    But all-in-all this is a good film. It’s relevant and poignant; mental health professionals—as all health professionals—are increasingly taxed during the pandemic, and it was good to see Timothy and Jamie Cox shine a light on this. The short is also filmed well; Cinematographer Jamie Cox highlights Marcus’ struggles while also showing that of his patients, and it’s a testament to the filmmaking that we feel we’re in Marcus’ shoes. “Live Health” feels like watching a therapy session, and not merely actors playing one for effect. The short further features original music by Matthew Mahler, which adds to the film in needed ways. 

    “Live Health” is a good film. It’s a definite recommend for those who want a look inside the life of work-from-home therapists, or for those looking for empathy into people’s lives they may have hitherto only offered a passing thought. 

    “Live Health” is available to watch on YouTube. You can click the window below to watch the film. 

     

     

     

     

    Covid-19 Indie Live Health mental health pandemic patients therapy Timothy J. Cox video chat
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘The Devil’s Candy’ is Anything But Sweet
    Next Article Review: It’s Overall a Bumpy Ride, but ‘No Time to Die’ is a Great Bond Film—and the Perfect Swansong for Daniel Craig
    Mark Ziobro
    • Website
    • Facebook
    • X (Twitter)
    • Instagram
    • LinkedIn

    Mark is a lifetime film lover and founder and Chief Editor of The Movie Buff. His favorite genres are horror, drama, and independent. He misses movie rental stores and is always on the lookout for unsung movies to experience.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Romance February 24, 2026

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.