Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Documentary

    Review: ‘This is Paris’ a Window Into the Life of an Heiress Forced to Mask Her Mental Trauma


    Vidal DcostaBy Vidal DcostaSeptember 24, 2020No Comments5 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    As a telly addict who grew up in the early 2000s, I grew up ‘keeping up with the Hiltons’ rather than with the Kardashians, and am very much familiar with the glamorous, often controversial albeit charitable heiress known as Paris Hilton. I still do find her fascinating because I never can tell if she’s getting into or coming out of that caricature of a character she plays (the ditzy blonde babe with no self awareness, nor brains) and when her documentary “This is Paris” premiered, I was even more so fascinated.

    It gave me a deeper insight into the real Paris, whom I found to be far more intelligent and likable than the caricature she plays. It captured my attention even more than YouTuber Paris and her comical (apparently satirical) videos on her YouTube channel.  However, it also turned out to be the furthest thing from comical or glamorous and veers towards disturbing, which is something I certainly didn’t expect!

    It begins with Ms. Hilton pulling a face-mask off, obviously symbolising her pulling down the façade she puts up for the camera as she prepares to present a more raw side to herself that her conservative Catholic family has tried very hard to suppress in the past—and still tries to suppress throughout the course of the documentary. 

    Then, there is the constant, literal switching between voices as she attempts to navigate through who she really is, trying to discover her own voice. Two decades of doing a Valley Girl accent will do that to you; and according to a psychologist who analysed her documentary in a reaction video which I watched later on YouTube, Paris putting on the accent is probably just her trying to overcome or cover up childhood trauma by not wanting to actually mature while being too afraid to confront her stone-cold family. And knowing that this could be an actual possibility stemming from psychological trauma shocks me even more now.

    While I applaud Paris for being apologetic in this documentary for most of the toxic choices she made in the past while trying to maintain her façade which now inspire countless other social media influencers, I would have preferred it if her family had also apologised for sending her to abusive boot camps to change her ‘party girl ways’ and to thus maintain their reputation. I don’t know how many times I felt like yelling ‘that’s your daughter!’ at the screen when her mother took no responsibility at all for subjecting a young Paris to horrific mental trauma or never acknowledged the psychological and physical torture that Paris and many other young girls who were raised on an unhealthy dosage of countless etiquette lessons faced at the Provo Canyon School, Utah.

    A still from the documentary “This is Paris” (YouTube Originals, 2020).

    And through it all, it is clear that Paris was a victim persevering as the media and her own family vilified her in public for even the sex tape that was forced on to her by a toxic boyfriend (she rightfully calls it ‘electronic rape’). The animated sequences of her abusive past drive this point home further. It is cringe-inducing when her own mother and sister continue to vilify her, and the documentary is rife with more such moments of betrayal. Watching her literally beg to her selfish lover Aleks Novakovik to not leave her side at a crowded venue where she is about to DJ is genuinely heartbreaking. However, there are moments when I was proud of her for being self-aware enough to sever ties from Aleks by cutting off his music festival band (even more symbolism) and sending him on his way.

    Other scenes that are heartbreaking to watch include her driving around in her car while contemplating whether she’ll ever be able to fully break free from the caricature she’s created and then undergoing a silent mental breakdown and bouts of anxiety and insomnia. To me, these scenes paralleled similar ones from another celebrity documentary I’d watched a while back called “Conan O’Brien Can’t Stop.” Ironically, the protagonists of both these documentaries (Hilton and O’Brien respectively) are known for the personas they’ve put on for entertainment purposes for almost two decades. Both fell victim to the toxic people whom they surrounded themselves with (be it toxic network executives for Conan or toxic relatives and lovers/friends for Paris). 

    And honestly, sitting through both these documentaries has taught me to be more empathetic to celebrities such as Paris and Conan who continue to be nice and loving towards their fanbase and to persevere and build their brand despite their fatigue, trauma, and personal and professional battles. It’s taught me that powering through a difficult situation (whether you’re born into it or whether it’s thrust upon you forcefully) is very brave, strong, and empowering in itself. And to me—that’s hot!

    You can watch the YouTube Original documentary here:

     

     

     

     

    documentary famous heiress Hilton Paris Hilton rich
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Miss You Already’ a Tale of Besties, Driven by the Fantastic Toni Collette
    Next Article Exclusive Interview: Director Arati Kadav on ‘Cargo’ and Breaking Ground on Indian Sci-fi Cinema
    Vidal Dcosta
    • Website

    Vidal is a self published author on Amazon in sci-fi and romance and also has her own blog. She is a movie buff and also contributes TV show and movie reviews to 'Movie Boozer.' Vidal also writes short stories and scripts for short films and plays on 'Script Revolution' and is an aspiring screenwriter.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Action February 22, 2026

    ‘Mercy’ Review: Chris Pratt is One Angry Man

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.