Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Horror

    The Silence (PG-13)

    Brynne RamellaBy Brynne RamellaApril 15, 2019No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Warning: Light spoilers ahead

    To call “The Silence” a rip-off of “A Quiet Place” is unfair. However, it would be completely accurate to call “The Silence” a failed and lackluster attempt from Netflix to live up to “A Quiet Place.” 

    “The Silence” is based on the 2015 novel by Tim Lebbon, meaning the story actually predates the 2018 sleeper hit “The Quiet Place.” The Netflix film centers on deaf teen Ally (Kiernan Shipka), who lost her hearing in a car accident three years prior. Thanks to a cave research team accidentally unleashing a horde of pterodactyl-like creatures, Ally and her brother, grandmother and parents (a shamefully wasted Stanley Tucci and Miranda Otto) must flee. The creatures hunt by sound, so the family races to leave the city to escape to the quiet of the woods. 

    The plot will sound strikingly familiar to audiences who had the pleasure of seeing “A Quiet Place.” But “The Silence” lacks all the elements that made its predecessor terrifying, heartfelt, and engaging. “The Silence” boasts what should be a killer cast, yet each member of the cast phones it in. Take Shipka and Otto – a devilish duo that delights as aunt and niece in the Netflix original series “The Chilling Adventures of Sabrina.” Yet they can’t muster up that same chemistry here as mother and daughter. Even Oscar nominee Tucci falls flat in this film, as he barely shows an ounce of emotion as his best friend sacrifices himself for himself and his family. 

    “The Silence” also can’t quite figure out what type of horror movie it wants to be. Clearly, we start off in the monster movie genre, wasting no time to bring on the shrieking “vesps.” In its final act, a dangerous cult is introduced, pushing the vesps to the background of the story. At the same time, audiences are left to ponder whether or not director John R. Leonetti intended to turn this film into a family-driven drama/horror, in the likes of what modern horror directors John Krasinski and Jordan Peele have successfully pulled off.

    If Leonetti had set his sights on one of these sub-genres of horror, instead of trying to encapsulate the entire horror genre in a 90 minute movie, maybe “The Silence” would have stood a chance. While it is unfair to compare this film to “A Quiet Place,” it is inevitable. And for audiences looking for a silent scare, they would be wise to skip “The Silence” and choose “A Quiet Place” instead.

    -by Brynne Ramella

    horror netflix Stanely Tucci The SIlence
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticlePet Sematary (R)
    Next Article If Beale Street Could Talk (R)
    Brynne Ramella
    • Website

    Brynne is a lifelong lover of movies and cannot remember a time where she wasn’t constantly offering her unsolicited movie reviews to anyone who would listen. She hails from Chicago and is lucky enough to live down the street from what she considers to objectively be the best theater in the city. Tweet your movie recommendations to her at @brynneramella. You can also catch her on ScreenRant and The Playlist.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Horror February 28, 2026

    Why Do We Keep Returning to the ‘Scream’ Films?

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.