With “Ocean’s Eight” releasing on Friday, I thought I’d review the trilogy, which starts with 2001’s “Ocean’s Eleven” based on a 1960 Rat Pack film of the same name.
When Danny Ocean (George Clooney) is released from prison, he immediately gets a crew together to rob three Las Vegas casinos simultaneously.
Steven Soderbergh’s style is what helps make this film so much fun. The writing by Ted Griffin is also stellar and the way he introduces the members of the Ocean’s Eleven team is so great and it tells you all you need to know about them.
This is best shown in the scene when we meet twin brothers Virgil (Casey Affleck) and Turk (Scott Caan) Malloy as they’re bored passing time and Turk runs over Virgil’s small remote-control monster truck while Turk races it in a giant monster truck. Their banter’s one of the consistently funny things in the franchise.
The montage-like explanation of how they’re going to execute the heist is also entertaining. The team of characters and the cast is great and everyone plays their roles well. Rusty Ryan (Brad Pitt) is Ocean’s righthand man and helps recruit the team. His banter with Ocean is strong. Julia Roberts is also great as Danny’s ex-wife, Tess.
Rounding out the eleven include sleight of hand guy Linus Caldwell (Matt Damon), insider blackjack dealer Frank (Bernie Mac), tech guy Livingston Dell (Eddie Jemison), grease man Yen (Shaobo Qin), master of disguise Saul Bloom (Carl Reiner), and explosives guy Basher (Don Cheadle).
There’s also Reuben (Elliot Gould) who bankrolls the heist because of a vendetta against casino owner Terry Benedict (Andy Garcia), the man they plan to steal from. They plan to steal $150 million on a busy casino night from his vault.
We find out how they want to get in but Reuben points out it’s really an impossible heist because the hardest part is getting out. “Once you’re out the front door you’re still in the middle of the fucking desert,” he says. Gould’s a delight, here, especially when he does his recap of the most successful casino robberies (still colossal failures). He’s funny, and in these cutscenes is a spot where Soderbergh’s style and cinematography shine through.
During the leadup and during the heist, the writing’s really smart because we as the audience aren’t always in on the plan and it’s fun to see how they do what they do. It makes it more entertaining.
What works best for the film besides its editing, score, and great direction is that all of the actors have a flawless chemistry. There’s amusing banter between all of them. It helps that their characters are well-written too, and there’s a believable hostility between Ocean and ex-wife Tess.
It’s hard not to be entertained by this. I mean, I watched this over two years ago and I was still on the edge of my seat and thoroughly entertained because I only vaguely remembered what the twists and turns were. However, that just might be an ode to my bad memory.
– by Daniel Prinn
