Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Drama

    ‘Dutch’ Review: John Hughes Strikes Again with a Humorous and Warm Thanksgiving Buddy Comedy

    Mark Ziobro By Mark ZiobroNovember 26, 2015No Comments5 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Dutch
    Ethan Embry and Ed O’Neill in "Dutch." (Photo: Twentieth Century Fox, 1991).
    Share
    Facebook Twitter Email Copy Link

    “Dutch” is about a man in love with a woman, who volunteers to pick up her spoiled kid from his private school when he refuses to come home for Thanksgiving. The film is directed by Peter Fairman, who directed “Crocodile Dundee,” and written and produced by John Hughes. The film has been accused of being Hughes-esque and formulaic; and it is. It borrows elements form several of Hughes’ previous efforts, most notably “Planes, Trains & Automobiles” and “Home Alone,” but somehow this is not a criticism. While not as flawless as those films, “Dutch” is an entertaining and sweet movie. And along the way, it still manages to bring some unique laughs to the table.

    ‘Dutch’ in this movie is a man, Dutch Dooley, played with flair by Ed O’Neill of “Married…With Children” fame. He’s rough around the edges, seen as he wears a flannel shirt and tie to his girlfriend Natalie’s (JoBeth Williams) holiday party, sneaking outside for a cigar while the other guests consume champagne and caviar. We’re introduced to some other players as well, such as Doyle Standish, Natalie’s. In a couple of quick scenes, he’s showed to be an obnoxious, spoiled brat. He hangs up on his mother when she invites him to Thanksgiving, chastises another boy, “don’t you know how to knock,” and is so entitled he has zero friends at school, even though people try. We also meet Doyle’s father (Natalie and Reed are separated), played by Christopher McDonald, who once again plays the part of the über-villain in his portrayal of rich and entitled Reed. It’s not hard to see where Doyle gets his nasty attitude.

    Another Hughes Dysfunctional Buddy Comedy 

    “Dutch” is a forced buddy road comedy, much like Hughes’ wonderful “Planes, Trains & Automobiles,” but brings some new things to the table that make it a worthwhile effort. The first thing it does right is in casting O’Neill, who is the perfect choice for Dutch and as a father figure for Doyle he is sorely missing. Doyle hates the working class; Dutch is working class and proud of it. “Is that bad?” Dutch asks of his lot in life, which Doyle nearly scoffs at. However, the movie approaches the divide between Dutch’s reality and Doyle’s snootiness with humor. One scene shows Doyle criticizing Dutch’s lifestyle and intelligence. However, as Hughes is known for, Dutch gives it right back to him. “There is one thing I can do that you can’t,” Dutch grins. “I can pay for my breakfast.”

    What works about these characters is neither makes an apology for being what they are. While it’s clear early on that Dutch is no match financially for Natalie’s ex, he loves life and is successful in his own right, running a construction business. He’s also a big kid. He gets a kick out of smoking cigars, blowing up fireworks, and buying racy’ playing cards. One funny scene shows Doyle leafing through these late at night. Under its sarcastic exterior, “Dutch” is a coming of age film amidst the chaos.

    O’Neill and Embry Have Great Chemistry 

    Dutch
    Ed O’Neill and Ethan Embry in “Dutch.”  (Photo: Twentieth Century Fox, 1991).

    Doyle is played well by Ethan Embry (billed as Ethan Randall), who would go on to star in the comedy “Can’t Hardly Wait,” but here nails the role of a spoiled brat who might have some good underneath. Scenes where he beats the crap out of Dutch, ruins his car, or shoots him with a BB gun are rightly mean-spirited. But Dutch can hold his own. The funniest scene is certainly when Dutch walks out of the school with Doyle tied to a hockey stick, or the ominous way he lords the BB gun over Doyle, claiming he “owes him one.” While unbelievable, the two have a great chemistry together, and are just fun to watch. There’s no trace of O’Neill’s stereotyped husband from “Married…With Children;” he shows depth, and is just very likeable here. It’s a shame he more or less dropped off the radar after this film.

    There are some criticisms of the movie, of course, such as a script that keeps the two on the road where a quick call to Doyle’s mother may have saved the day. Additionally McDonald’s character is so one-sided and evil he exists as plot mechanism rather than a flesh and blood character. But the film has its charms. As a road movie, the predicaments the two find themselves in are humorous. And the film resolves itself in a sweet way without going over the top. Will you need to watch “Dutch” every Thanksgiving? Probably not. But I like this movie. It offers laughs, camaraderie, and its characters are better people by the end than at the film’s beginning. Not perfect, but a solid effort through and through.

    "Santosh" has a rating of B from The Movie Buff staff

    Christopher McDonald comedy Dutch Ed O'Neill Ethan Embry john hughes Planes Trains & Automobiles road movie thanksgiving
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleZombieland (R)
    Next Article ‘Tis the Season for Love (G)
    Mark Ziobro
    • Website
    • Facebook
    • X (Twitter)
    • Instagram
    • LinkedIn

    Mark is a lifetime film lover and founder and Chief Editor of The Movie Buff. His favorite genres are horror, drama, and independent. He misses movie rental stores and is always on the lookout for unsung movies to experience.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Interview June 13, 2025

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    TV Series June 11, 2025

    TV Review: How Seth Rogen’s ‘The Studio’ Marries Art and Commerce—and Why It Resonates as a Masterpiece

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.