Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Thriller

    Eagle Eye (R)

    Matt DeCristo By Matt DeCristoJuly 17, 2015No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    The plot of the 2008 sci-fi based action thriller “Eagle Eye” is more convoluted than a robust mathematical equation hatched from the mind of Pythagoras himself. Pitiful performances by two of the leads – Hollywood top billers by most accounts – don’t make the pill any easier to swallow.

    While filled to the brim with action, most of it is senseless, done for no other reason than to display intricate effects and graphical detail that sadly, we’ve all witnessed countless times before.

    “Eagle Eye” focuses on two seemingly ordinary individuals; inept slacker Jerry Shaw (Shia LaBeouf) and gorgeous single mom Rachel Holloman (Michelle Monaghan) who are mysteriously swept up in a dynamic mystery and espionage like plot involving a terrorist scheme.

    Taking ominous direction from a disembodied female computer voice (picture the obnoxious and spoilt daughter of HAL and Siri) who can predict what is going to happen before it happens, Jerry and Rachel embark on a confusing and drone mission that never explains anything and always keeps you guessing.eagleeye2

    What’s worse is that the computerized voice can and will change all platforms of technology in a completely unbelievable way whenever its needed to get Jerry and Rachel out of trouble. Just when you think the authorities are closing in, here’s the voice dictating an exploding telephone wire that stops them. Jerry loses his cell phone. No big deal, the voice can contact him through an electronic billboard on the street. Give me a break.

    LaBeouf is little more than a pretty face with an empty mind. The “Transformers” star is virtually unwatchable in the lead role – an ordinary citizen who at one point takes out a security camera with a single blast from a rifle and stops to flirt with Rachel amidst a chaotic and violent car chase and shootout. I mean she’s super cute, but come on.

    The writing doesn’t help with the story either. Jerry flaunts a cavalier attitude in the face of an FBI interrogation that just doesn’t seem realistic in any way, and every tough scenario is easily rectified by having the mysterious computer voice get the stars out of danger in an absurd way.

    The forces behind the voice have kidnapped Rachel’s son in effort to extort her into her services. During said chase while dealing with Jerry’s randy advances, Rachel yells at the voice on the speaker “Who are you?” Its just so silly. Monaghan is the best actor of the story, and while I believe that a mother will do anything for the safety of her child, some of the actions she is forced to take stretch the realm of good parenting.

    eagleeye4Equally defunct in terms of believability is Billy Bob Thornton in his role of FBI Agent Tom Morgan. Thornton is just God awful, offering new meaning to the term “Bad” Santa. There’s nothing else to say other than how did this man win an Oscar for anything?

    The rest of the supporting cast is filled out okay, with names like Rosario Dawson (“Sin City”) and Michael Chiklis (“The Shield”) as serviceable.

    A weak plot, an overabundance of action, poor acting and a subpar script render “Eagle Eye: little more than a quagmire of nonsense.

    by – Matt Cristopher

    2008 Billy Bob Thornton Eagle Eye Michael Chiklis Michelle Monaghan Rosario Dawson Shia LaBeouf
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleMy Sister’s Keeper (PG-13)
    Next Article Robot & Frank (PG-13)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Movie Review June 9, 2025

    ‘High School U.S.A.’ Review: Old World Made for TV Comedy

    Action June 9, 2025

    ‘Ballerina’ Review: Blood, Sweat, and Ballet

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.