Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Thriller

    Silent Hill: Revelation (R)

    Matt DeCristo By Matt DeCristoOctober 12, 2014No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Many Hollywood controllers make the attempt of turning the thick line that divides movies and video games into a thin line that they can get away with crossing. From the early ’80s “Tron” to recent horror games “Resident Evil” and “Silent Hill,” writers are always scrambling for the next sure fire creation. With the ever advancing scope, storylines, and popularity of video games and consoles, movies based on games are becoming more and more prevalent.

    I’ve been a big fan of the Konami horror game series “Silent Hill” since its release on the PlayStation platform in 1999. The game, which is actually a terrifying ordeal to play, has created a legacy that has witnessed over ten sequels spanning half a dozen consoles, in addition to a handful of relatively unsuccessful movies. The idea of a horror game was born with the “Silent Hill” franchise.

    In 2012, English filmmaker Michael J Bassett wrote and directed “Silent Hill: Revelation,” a sequel to the 2006 “Silent Hill.” Based on the PlayStation 2 game “Silent Hill 3“ (which I own and thoroughly enjoyed playing) “Revelation” fails to capture the intrigue that the game its based on does.

    One mistake in “Revelation” is that Bassett just assumes the viewer understands the story and the rules of the “Silent Hill” universe. Nothing is explained in terms of how, what, or why what is happening is happening, and if you haven’t played any of the games, the entire movie comes across as completely ridiculous. A simple paragraph as found in the instruction manuals of the games on screen at the beginning could have easily rectified this.

    silenthill2

    It’s obvious Bassett is a fan of the games as the sound effects and score perfectly mirror the game, and seconds into the movie I was transported back in time to my “Silent Hill 3” playing days. The fact that he made the movie ten years after the game came out should also clue you in to his obsessions with the series.

    “Silent Hill” is a Rated ‘M’ for mature game due to its disturbing and graphic images. While the movie does its best to replicate the terrors of the game, the output rests further on the side of gross than it does scary. In all fairness, “Revelation” was intended as a 3D theatre movie, but that doesn’t excuse the overloaded lot of sickening scenes.

    The beautiful Adelaide Clemens takes the lead role of Heather Mason and you’ll get goose bumps at just how closely she resembles the character from the game. Clemens does a decent job as Heather; a young woman vexed with the mysteries and surrounded by the monsters of “Silent Hill.” At times, it seems like Clemens takes the role more seriously than any other on, or off screen talent does. The rest of the cast flat out stinks, and inadvertently seem to act like secondary NPC’s from a game.

    silenthill3Heather goes about to solve the mystery in a nearly identical way to the game which is also a huge miss. While sharing common similarities, video games and movies just aren’t meant to be interchangeable parts. Games are meant to be played. Movies are meant to be experienced.

    Like the games, “Revelation” does have some somewhat cool and definitely disgusting monsters, but most have been inserted as a flex of technological muscle. While there are some parts that may make you jump, the movie isn’t nearly as terrifying as the game.

    If you want a real scare, throw any of the “Silent Hill” video games into a console, turn out the lights, and be ready for the nightmares. As far as “Revelation” goes, don’t bother.

    by – Matt Christopher

    2012 Adelaide Clemens Kit Harington Sean Bean Silent Hill Revelation
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleAnnabelle (R)
    Next Article White Zombie (NR)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Movie Review June 9, 2025

    ‘High School U.S.A.’ Review: Old World Made for TV Comedy

    Action June 9, 2025

    ‘Ballerina’ Review: Blood, Sweat, and Ballet

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.