Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Comedy

    Leap Year (PG)

    Matt DeCristo By Matt DeCristoAugust 10, 20141 Comment3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Once again, the Netflix Gnomes hacked into my account. This time, the movie that arrived in my mailbox much to my chagrin was the 2010 RomCom “Leap Year.” Written by Harry Elfont and Deborah Kaplan (who together helmed the gem “Can’t Hardly Wait”) and directed by relative unknown Anand Tucker, “Leap Year” received nothing in the way of Oscar considerations and was basically a break even at the box office.

    “Leap Year” is a simple run-of-the-mill romantic comedy that is fluid with laughs and awwww type moments, and totally predictable from open to close. Where the movie distinguishes itself is in the skills of the two lead characters; the beautiful and immensely popular Amy Adams, and the humorous every-man and completely unheard of Matthew Goode. “Leap Year” is also aided by one of the most breathtaking places on Earth as its backdrop – the hillsides of coastal Ireland.

    Boston resident Anna Brady (Adams) was raised by a strong Irish family, and has been fed a diet of old Irish traditions for her entire life. One tradition stands above all the others for Anna – a tradition that allows a woman to propose marriage to a man on the quadrennial leap year day of February 29th. The tradition also has it that the man must say yes if he is offered the proposal on this day.

    leapyear2

    When her long time thought to be perfect boyfriend Jeremy (Adam Scott) goes to Dublin for a conference, Anna seizes this golden opportunity to enact the tradition. A carriage of mishaps leaves Anna stranded in a small rural village on the Dingle Peninsula, located on the opposite side of Ireland from Dublin.

    Anna enlists the help of a surely bar/inn owner named Declan (Goode) to transport her to Ireland’s capital city. Though jaded and mysterious at first, Declan soon teaches Anna the beauty of Ireland and Irish traditions, and she begins to learn that Jeremy may not be so perfect after all.

    “Leap Year” is a story that has been done a hundred times before, which requires the two lead stars to be integral to the overall success or failure of the film. Adams is funny as the uptight apartment organizer Anna, who begins the movie with her narrow sights set on acceptance into an exclusive apartment in Boston, and whose most coveted possession is a Louise Vitton bag.

    Leap YearHer life is changed when she meets Declan, who scoffs at the notion that she “named” her suitcase Louie. Goode embodies the role of Declan, a simple blue collar type who loves his country and working hard at the small inn that he operates. Declan is carrying his own mysterious back story, a bitter dislike for all things Dublin and seemingly for trust and love. Adams and Goode mesh perfectly together, with the result being a humorous and believable pairing.

    The setting for “Leap Year” will make you want to plan a trip to Ireland the second the film is over. With various locations in and around Dublin (including the gorgeous Aran Islands, Connemara, and Waterford) the setting will instantly transport you to Ireland and leave you spellbound.

    “Leap Year” is as basic as it can be, and in terms of story and plot its a straight up average movie. The enjoyability of Adams and Goode, partnered with the truly awesome setting of Ireland kick it up just a few notches above other films like it. “Leap Year” is a popcorn movie – it won’t become an all time favorite, but its a movie that you won’t hate either.

    – by Matt Christopher

    2010 Adam Scott Amy Adams Leap Year Matthew Goode
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticlePulp Fiction (R)
    Next Article About Last Night (R)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Interview June 13, 2025

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    TV Series June 11, 2025

    TV Review: How Seth Rogen’s ‘The Studio’ Marries Art and Commerce—and Why It Resonates as a Masterpiece

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    1 Comment

    1. Daniel on March 1, 2020 2:07 AM

      Lies! Fallacies! False truths!

      I hated it 🙁

      Reply
    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.