Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Action

    The League of Extraordinary Gentlemen (PG-13)

    Ailbhe NahBy Ailbhe NahJuly 15, 20132 Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Never has a film had so much potential and screwed itself so badly than this train wreck, “The League of Extraordinary Gentlemen.” As you can tell, I do not like this film. In fact I hate it with the wrath of a million boiling suns. This is how angry I became after watching this film. I can dislike a film for being poorly written or badly directed or just being kind of stupid. “The League of Extraordinary Gentlemen” is on a whole new level of hate, to the point where I felt dumber for watching the thing. The film is lazy, and if there is one thing I hate more than anything else, it is a lazy, patronising script.

    The plot is actually quite good. Based off of Alan Moore’s graphic novels of the same name, The League is a group of famous characters from literature acting as a sort of 19th Century ‘Avengers.’ The members include Allan Quartermain (Sean Connery) from King Solomon’s Mines, Dr. Jekyll/Mr. Hyde (Jason Flemyng) from the eponymous novel, Captain Nemo (Naseeruddin Shah) of “20,000 Leagues Under The Sea” fame, Mina Harker (Peta Wilson) from “Dracula,” Rodney Skinner (Tony Curran), who plays an invisible man from “The Invisible Man,” Dorian Gray (Stuart Townsend) from “The Picture Of Dorian Gray,” and finally an odd but — I think  smart — addition of Special Agent Tom Sawyer (Shane West). The actual plot follows The League as they stop a mysterious man known as ‘The Fantom,’ who is looking to throw the world into war with a series of ridiculous attacks on nations while putting on a bad accent. The League try and stop him as bad fight scenes ensue.

    I watched the opening scene of this film, which sets up the main antagonist -pretty standard stuff for a superhero movie. By the time five minutes rolled around, however, I had half a page of questions that were not answered. By either major contrivances or huge glaring plot holes, this film makes absolutely no sense. By the time I’ve pointed out one problem, another one reared its ugly head. This affects the film in an extremely bad way. With a film like this, you have to focus a lot of attention on the characters, as it is a very character-driven piece. Ultimately that is the “The League’s” downfall, as I couldn’t care less about any of the characters. At the end of the film, I didn’t know a thing about them, despite all of them having literal novels by some of the world’s most famous authors written about them. The dialogue seems like it’s from a video-game cut-scene in two ways: one – it feels very clunky and doesn’t seem to fit and two – whenever Connery decided he didn’t want to shoot anymore scenes, they got a body double and a voice dub. It genuinely feels like I’m watching a bad video-game.

    Speaking of Connery, he is really off his game in this. All of  his lines are said in the exact same tone ofvoice; and as amazing as that accent is, it gets frustrating during character development scenes such as his relationship with Tom Sawyer. Quartermain acts as a father figure to Sawyer and yet speaks to him as no more than an acquaintance. There are some big twists revealed throughout the film, with some of them actually being quite cool. It’s ruined by Connery’s acting, but is cool nonetheless. The final big criticism I have of this crap is the character of Mina Harker. She is a badass vampire woman who can kill people in a very brutal fashion. Hooray you might say, a good female character. Nope. They take a perfect heroin and make her into a love interest of a few characters and have her fall for some old tricks because she’s the token women character and that will fill the quota.

    There are two things I liked about this movie: I liked the character of Tom Sawyer, but I don’t like how he was used, and I thought Flemyng’s performance was like finding a diamond under a steamy pile of excrement. That is it. Nothing more, nothing less. I swear I tried. Overall this movie was a complete train wreck except it is very easy to look away. In fact, I was pausing the movie to tweet to one of my fellow critics while watching this because frankly, I would much rather be in his company than have to suffer this. A really bad film if I haven’t made it clear already.

    – by Paul O’Connor

    adventure Captain Nemo Dorian Gray Mina Harker Sean Connery The Fantom The Invisible Man The League of Extraordinary Gentlemen Tom Sawyer
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleHot Fuzz (R)
    Next Article The Night Before (PG-13)
    Ailbhe Nah

    Ailbhe lives Cork, Ireland, and is a film graduate from Galway. Ailbhe is a lover of film, from Kurosawa to Tarantino and even the occasional Michael Bay movie. Ailbhe believes every film is innocent until proven guilty. Never judge a book by its cover and never judge a film by its trailer.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Action February 22, 2026

    ‘Mercy’ Review: Chris Pratt is One Angry Man

    2 Comments

    1. melvin2580 on July 16, 2013 2:14 AM

      great review and a perfect score

      Reply
    2. Melvin2580 on July 30, 2013 10:02 PM

      This is movie should have been better.

      Reply
    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.