Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Drama

    Bound (R)

    Matt DeCristo By Matt DeCristoJanuary 12, 20131 Comment3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Before popular films such as “Cloud Atlas,” “V for Vendetta,” and “The Matrix” series, directors/writers/producers the Wachowskis made their film debut with the 1996 erotic crime caper “Bound.”

    “Bound” begins as Corky (Gina Gershon) an ex-con who has just finished serving five years in prison for “redistribution of wealth” is starting a new job as a handyman in a high-rise apartment building in Chicago. The woman who lives next to the unit Corky is repairing drops by and gives the impression that she is attracted to Corky. Later, the woman, whose name is Violet (Jennifer Tilly) concocts a ruse to get Corky alone in the apartment where she begins a seductive ploy to engage in a sexual tryst.

    Before they finish, Violet’s boyfriend Caesar (the great Joe Pantoliano) arrives home. Caesar is employed by the mafia and specializes in money laundering. When several mafia thugs murder a man that had been skimming money, Caesar returns to the apartment with the stash – 2.7 million in cash – to get the funds in order and find out how the thief was able to obtain it. Wanting to escape Caesar’s control, Violet (who has since had several more dalliances with Corky) schemes with her new lover to abscond with the cash and set Caesar up to take the fall.

    The first handful of minutes in “Bound” play out like a bad porn film and immediately drop the movie into a ‘D’ or ‘F’ status. Thelighting is too dark and the acting is suspect, specifically from Jennifer Tilly whose whispering voice and unbelievable facial contortions will make you think she’s actually a porn star and not a legitimate Hollywood starlet (though, since her 30-year resume in film also includes “Liar Liar,” “Relax…It’s Just Sex,” and “Bride of Chucky” to name a few, I use the word legitimate with a grain, make that a pound of salt).

    bound2But once the caper to steal the cash begins to unfold, “Bound” turns out to be a pleasant surprise, ripe with several tension filled scenes that will render the viewer nervous as you watch to see just how everything will play out. Joe Pantoliano turns out an award worthy performance as the mafia accountant Caesar. Pantoliano has appeared in too many films to name, though his role in “Bound” most closely resembles his role as Ralph Cifaretto in season three of “The Sopranos.”

    Pantoliano is an actual Italian-American and as such can pull off the mafia character with ease and a normalcy lost on some more popular actors who think being an Italian mobster means you have to flaunt greasy hair, designer suits, and an abhorrent accent.

    bound3The other noteworthy performances belong to the other members of the crime family (though they are limited with screen time).  Christopher Meloni (who would go on to stardom as Detective Elliot Stabler in “Law & Order”) plays the hot-headed Johnnie Marzzone. John P. Ryan plays the even-keeled underboss Micky Malnato and Richard C. Sarafian portrays the don of the family Gino Marrzone. The intense suspense and heart fluttering drama in the middle of the film manage to not only save it but elevate it to watch-worthy status.

    Sadly, “Bound” ends with a cliché and predictable final few scenes that drop any momentum gained from the middle back down to sub-par status. All in all, it’s not the worst, it’s not the best.  It’s just an average movie.

    – by Matt Christopher

     

    crime Gina Gershon Jennifer Tilly Joe Pantoliano mafia Wachowski brothers
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleGlengarry Glen Ross (R)
    Next Article King of New York (R)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Movie Review June 9, 2025

    ‘High School U.S.A.’ Review: Old World Made for TV Comedy

    Action June 9, 2025

    ‘Ballerina’ Review: Blood, Sweat, and Ballet

    1 Comment

    1. The Vern on November 28, 2013 12:17 AM

      Those early scenes with Gershon and Tilly were very sexy, and they both pulled it off without having to remove any clothes. In no way does that play out like a bad porn film. It was just great dialogue that made those scenes work

      Reply
    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.