Raymond Carver bristled at the term “minimalism,” when it was used to describe his work. His prose, with its spare…
Author: Kevin Parks
Narvel Roth (Joel Edgerton) sits at a desk in a dimly-lit room, writing in a notebook. In another movie, this…
In the closing credits of Ruben Östlund’s Palme d’Or winner “Triangle of Sadness,” Michael Haneke is listed among those the…
A goodie bag of candy-colored nostalgia, Noah Baumbach’s “White Noise” is a stylish and ambitious take on Don DeLillo’s postmodern…
The ghost of Jean-Luc Godard looms large over cinema, especially French cinema, so it’s fitting I was watching François Truffaut’s…
Water really is everywhere in Elena López Riera’s “El agua.” And, just as in the Samuel Taylor Coleridge poem, water’s…
Adaptability is the reason for a coyote’s survival. According to National Geographic, coyotes will eat anything — mice, lizards, insects…
Literary adaptations are having a moment. In 2021, four of the year’s most acclaimed films — “Drive My Car,” “The…
On January 6, 2022, both Sidney Poitier and Peter Bogdanovich died, a harsh dual blow to the film industry. Reflecting…
No filmmaker was as instrumental to the development of the American independent film industry as John Cassavetes and “Love Streams”…
