“Glass Onion: A Knives Out Mystery” is bigger and more lavish, with moments of big-budget lushness sharply delivered by director…
Author: Hector Gonzalez
Hector Gonzalez
Hector Gonzalez is a Puerto Rican, Tomatometer-Approved film critic and the Co-founder of the PRCA, as well as a member of OFTA and PIFC. He is currently interested in the modern reassessment of Gridnhouse cinema, the portrayal of mental health in film, and everything horror. You can follow him on Instagram @hectorhareviews and Twitter @hector__ha.
With only a few seconds in, you can feel the love and care put in Mark Gustafson and Guillermo del…
Mark Mylod’s “The Menu” is an unsavory and toothless satire. It may try to pull some social class-action punches with…
Although there are moments of pretentiousness in its couple of minutes that may cause a quick deride, “Bardo: False Chronicle of…
The best part of “Black Panther: Wakanda Forever” is the loving tribute to Chadwick Boseman, which brings a sense of…
Jerzy Skolimowski’s “EO” might have been crafted with love and endearment of Robert Bresson’s “Au Hasard Balthazar.” Still, it lacks conviction…
With his usual distinctive and delicate directorial touch, Luca Guadagnino’s adaptation of Camille De Angelis’ novel, “Bones and All,” is…
“Trenque Lauquen’s” twelve chapters in two films might unfold in a way that some audiences might lose patience with, as…
Mark Jenkin blends folk horror elements with his usual distinctive style to create “Enys Men.” This horror film will put…
Via a vignette-esque structure beautifully captured by cinematographer Daniela Cajías, Carla Simón’s sophomore feature, the ‘Golden Bear’-winning “Alcarràs,” is a…