Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Comedy

    Gremlins (PG)

    Matt DeCristoBy Matt DeCristoDecember 24, 2014No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    One mantra observed at The Movie Buff is rediscovering old favorites, and that was exactly the case with my weekend viewing of the 1984 Stephen Speilberg and Chris Columbus blockbuster “Gremlins.” A film that I watched on a near endless vhs loop as a kid had somehow managed to evade me for the past two decades.

    A Netflix error prevented the disc from reaching my mailbox when intended, so out into the snow I dashed on a Saturday night mission (5 days before Christmas), and found myself as ecstatic as a child on Christmas morning when I uncovered the Blu-ray for a mere $7.

    Joining the ridiculous class of 84′ horde of blockbuster classics, “Gremlins” would succeed in the box office, grossing over $150 million in its first six months and launch an incredible campaign of merchandising and success that would reach much further than the walls of the theatre.

    While “Gremlins” was created as a dark comedy, the backdrop of the Christmas holiday plays an integral role. Taking place in the snow covered fictitious town of Kingston Falls, you’ll immediately feel the festive nature and doubtless want to relocate there. With snowball fights, decorations, and snowmen abound, the film opens with the sounds of Darlene Love’s Christmas classic Baby Please Come Home and you’ll be engulfed in the holiday season.

    gremlins3

    The story opens with a narration by Rand Peltzer (Hoyt Axton – with a raspy baritone voice that’s perfect for dialogue) a hack of an inventor, as he is shopping in the bowels of a seedy store in Chinatown. Rand has just discovered the perfect Christmas gift for his son – a bizarre fury creature identified as a Mogwai.

    Upon departing the store, Rand is given three ominous rules essential for the care of the creature; instructions that are now a permanent part of cinematic lore. Instructions that can be recited verbatim by ever fan of film – hard core or casual.

    Though comical throughout, “Gremlins” does harbor a handful of scenes that would frighten many viewers, particularly young ones. As the cute and cuddly Mogwai (nicknamed Gizmo) manifests into a horde of sinister troll like monsters that wreak havoc on the small town, violence, mayhem, and murder are the results. One scene in particular will send chills down your spine – twenty-five years later and I still get goose bumps every time the song Do you see what I see plays.

    gremlins2The story’s unlikely heroes come from Rand’s timid son Billy (Zach Galligan) and his adorable girlfriend Kate (Phoebe Cates) who are forced to do battle with the army of Gremlins and in effect save the entire town. Notable names like Corey Feldman and Judge Reinhold fill out the cast, along with comedian and television star Howie Mandel who offers the voice behind Gizmo.

    With a successful blend of comedy, horror, and Christmas, “Gremlins” would also be instrumental in the MPAA’s creation of the PG-13 rating. With its bouts of violence and gore, and overall dour presence, “Gremlins” is a perfect example of a film that shouldn’t be viewed by children, but can certainly be handled by adolescents.

    Six years later, a silly and cartoonish sequel was released, that fails in comparison in each and every way to the original. Overall, “Gremlins” is a classic movie that fits the Christmas collection perfectly, offering a change of pace from the humdrum of rom-com’s and the festive merriment of musicals.

    by – Matt Christopher

    Gremlins Hoyt Axton Phoebe Cates Stephen Spielberg Zach Galligan
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleThe Hebrew Hammer (R)
    Next Article Home Alone (PG)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Horror May 30, 2026

    ‘Passenger’ Review: An Unremarkable Haunting Story with a Van-Life Twist

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.