Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    ‘When Michael Calls’ Review: 1972 Television Movie that Shows Promise as Early Entry into Horror Genre  

    Matt DeCristoBy Matt DeCristoApril 5, 2026No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Elizabeth Ashley stars in "When Michael Calls" (Photo: 20th Century Fox, 1972).
    Share
    Facebook Twitter Email Copy Link

    “When Michael Calls” is a made-for-tv horror film that offers a glimpse at what was to come for the genre.

    Directed by Philip Leacock, the story is based on the 1967 novel of the same name by John Farris. It premiered as an ABC Movie of the Week on February 5, 1972, when horror was starting to evolve. Think of it this way. In 1972, “The Exorcist,” “Jaws,” and “Halloween” were still yet to be made.

    The movie is notable for featuring a very young Michael Douglas in one of his first roles. Since its debut, it has been released on home media under the title “Shattered Silence,” with Douglas prominently featured on the cover. Its quality looks bad, but for horror, that can be good.  

    Chilling Start

    We are introduced to the Connelly family: Doremus (Ben Gazzara), ex-wife Helen (Elizabeth Ashley) and young daughter Peggy (Karen Pearson). Doremus and Helen have a cordial relationship, sharing custody of Peggy. We also meet Craig (Michael Douglas) who is Helen’s…friend? Boyfriend? It was a bit confusing.

    Michael Douglas and Ben Gazzara in “When Michael Calls” (Photo: 20th Century Fox, 1972).

    In perfect classic horror style, a rotary telephone announces its presence with a cacophonous ring. Helen answers and is shocked to hear a child’s voice identifying as Michael. “Auntie my Helen?” The eerie voice says. “I missed the school bus come and get me.”

    As the calls continue day and night, it’s established that Michael was Helen’s nephew who died many years ago. “Auntie my Helen?” He says on a later call. “I’m dead, aren’t I? I’m dead!”

    The ominous voice on the phone is an often-employed device for scares. This is one of the best. It sounds childlike and ethereal without being corny. The decision to go with the nickname Auntie my Helen adds to the creepiness for some reason. Calling her Auntie Helen or Aunt Helen just wouldn’t be as unsettling.

    The Cast

    Elizabeth Ashley is excellent in the leading role. Her silent reactions to the impossible voice on the phone convey her horror without a scream. Ben Gazzara is a super recognizable face, and it took me a minute to place him as the bad guy in “Roadhouse.” And of course, Michael Douglas in 1972 is on the precipices of being a Hollywood leading man. All are solid here, despite the limitations of television production.

    Elizabeth Ashley stars in “When Michael Calls” (Photo: 20th Century Fox, 1972).

    “When Michael Calls” is digestible at 87 minutes. It reflects the natural pace of life with its slow progression. Some of the music is bad and out of place, which is expected with older films. My only gripe comes from the conclusion which ruins a good ghost story with a convoluted explanation.

    If you’re a horror fan, “When Michael Calls” is worth checking out. I found it commercial and cost free on YouTube. It’s a fun piece of horror history that is almost always overlooked.  

    Ben Gazzara Elizabeth Ashley Halfway to Halloween Michael Douglas
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleHalfway to Halloween: Meta Horror Movies (and TV) that are Spooky Season Essentials
    Next Article ‘The Jacksons: An American Dream’ Review—the Black American Dream
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Horror May 30, 2026

    ‘Passenger’ Review: An Unremarkable Haunting Story with a Van-Life Twist

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.