The short film “Body of Our Own”—now playing at BFI Flare—is a collaboration between filmmakers Rahemur Rahman and Lily Vetch and subjects Momo, Neshi, and Jannat. In it, 3 hijra (intersex/third gender) women address the camera discussing their daily routine, innermost personal and professional desires, and changing perceptions towards hijra culture and the community.
The subjects of this documentary are unapologetic, keep up with the times, trends, etc. A better descriptor for them would be ‘today’s hijra’. Throughout the documentary, the trio preaches self-acceptance and are vocal about not owing anybody an explanation on their fashion sense or their identity.
The Sex Trade and Self-Assured Spirits
“Body of Our Own” also delves into their work in the sex trade. While prostitution is referred to as the oldest profession, the ladies vent about the ageism associated with sex work and are especially careful with their finances, distinguishing themselves from older counterparts who spend lavishly and recklessly. Once looks begin to fade, many of their peers are also taken advantage of for their wealth by greedy lovers.
Through the analogy of a magnet and iron, Jannat opens up about difficulties in finding a life partner who is a green flag. She laments that while a woman, much like a magnet ‘pulls’ the man (metaphorical iron) towards herself, the men are only drawn to the body but rarely accepting of her soul. It’s a far cry from the superficial escapist promises of Hollywood romances like “Pretty Woman.” In reality, romantic liaisons have become akin to catching a disease.
A Bittersweet Film
Despite their self-assured spirit, however, they still yearn for independence. Like “Cinderella,” their freedom is limited. They are bound to a curfew, and can’t choose with whom to go out without the permission of the protective yet possessive Guru Ma, their mentor and a stern fairy godmother of sorts. This is especially a struggle for those who harbour star studded dreams such as an acting or modelling career. Due to a combination of challenges and changing times and tastes, many hijras have branched out into spaces which afford them more agency, upgrading from courtesans to bar dancers, as well as online pay per view content/services or showcasing their talents via social media. This further presents them with opportunities to go viral and a boost to chase their goals.
All in all, “Body of Our Own” is a bittersweet take on hijra culture. It proves to be a celebration of an uncompetitive community full of strong-willed, bright-eyed individuals simultaneously capturing the uncertainty faced by them with candour, sans filter.
*”Body of Our Own” will have its world premiere as part of BFI Flare’s ‘This Is Home’ programme of shorts. Screening on Thursday and Saturday (19th and 21st March 2026).
