Close Menu
    Facebook X (Twitter) Instagram
    Saturday, March 7
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    ‘Children of a Lesser God’ Review: William Hurt and Marlee Matlin Shine in this Romance Film Centered on the Deaf Community  

    Matt DeCristoBy Matt DeCristoJanuary 24, 2026No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Marlee Matlin stars in "Children of a Lesser God" (Photo: Paramount Pictures, 1986).
    Share
    Facebook Twitter Email Copy Link

    The title “Children of a Lesser God” had me hooked by how interesting it sounds. But the romance genre, devoid of the comedic part, made me refrain from watching. High praise of the actors and accolades the film garnered kept it in my queue, and I finally gave it a shot.

    After a premiere screening at the Berlin International Film Festival, “Children of a Lesser God” reached theaters in October of 1986. Written by Hesper Anderson and Mark Medoff, the screenplay is based off the latter’s 1979 play. Directed by Randa Haines, it would go on to five Academy Award nominations, including Best Picture, losing out to “Platoon.”

    Captivating Plot

    The trope is consistent, but enjoyable every time I encounter it. An unorthodox teacher arrives at an uptight school, butting heads with the establishment while simultaneously earning the respect of the students.

    James Leeds (William Hurt) is the newest teacher at a persnickety school for the deaf and hard of hearing in New England. Leeds is a charismatic sort. His students reject him initially, but he quickly charms them with his energetic demeanor and innovative teaching methods.

    Outside of the classroom, a school custodian named Sarah (Marlee Matlin) catches James’ eye. Sarah was once a promising student at the school but is now a hot-tempered malcontent who the staff avoids. James begins to court Sarah, despite the faux pas associated with intermingling co-workers and the perceived stigma between a deaf and hearing person dating.

    Mega Acting

    William Hurt is a true thespian. I’ve watched him in several afterthought movies like “Gorky Park,” “Rare Birds,” and “The Village” and am always captivated by his performance.

    William Hurt stars in “Children of a Lesser God” (Photo: Paramount Pictures, 1986).

    Hurt shines once again in the portrayal of James Leeds. It’s a character we can quickly get behind. He has a zest for teaching and a true devotion to his students. His love of music is incorporated into his lessons in touching ways. I was pleased to discover William Hurt learned ASL for the performance. His presence on screen demands I will be check out more of his work.

    I first encountered Marlee Matlin as a deaf lineswoman that Jerry dates in an episode of Seinfeld. Her performance here is a thing of legend. Matlin defines the character of Sarah not because they are both deaf, but because her rambunctious attitude feels so real. The chemistry between Matlin and Hurt energizes romance in a way not often seen on film. Marlee Matlin was just 21 years old at the time and became the youngest person to ever win Best Actress. She is also the first deaf winner in Oscar history.

    Beautiful Cinematography

    I love the old Paramount logo that opens the movie, as the credits roll over the muted colors of the mid-80s. Sigh, they don’t make ‘em like this anymore.

    William Hurt and Marlee Matlin in “Children of a Lesser God” (Photo: Paramount Pictures, 1986).

    “Children of a Lesser God” was filmed in New Brunswick, despite its Maine setting. The Rothesay Netherwood School would serve as the primary location, with the picturesque beauty of the seaside Canadian province adding depth to the surrounding areas. Filming took place in the fall of 1985, and the colors and backdrops are simply amazing.   

    Critiques

    Originally crafted as a play, some of the direction runs a tad askew from traditional film. The primary culprit being the decision not to use subtitles in a dialogue heavy story.

    The result is James Leeds repeating everything aloud that is signed by Sarah. I understand this is required for a play, since there would be no way for the audience to understand the signing.

    Marlee Matlin stars in “Children of a Lesser God” (Photo: Paramount Pictures, 1986).

    While nothing was too terrible, I found a few times the movie would have been better served with subtitles, particularly with the emotionally deep conversations. It’s a minor criticism. While occasionally distracting, it doesn’t take away from the overall beauty of the story.

    Should you watch?

    Yes! Even if romance isn’t your typically sought genre. “Children of a Lesser God” is a great film, deserving of its praise.

    The slow pace doesn’t linger more than needed. The film takes its time and lets a pair of great actors do their thing.  

    Marlee Matlin Piper Laurie William Hurt
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleOscars 2025: ‘Sinners,’ ‘One Battle After Another’ Lead the Nominations; Delroy Lindo Secures First Oscar Nod
    Next Article The Psychological Indie ‘Shattered Soul’ Plays the Devil on Our [Traumatized] Shoulders
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Romance February 24, 2026

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Sisa’ Review: When ‘Madness’ Becomes an Act of Resistance

    By Paul Emmanuel EnicolaMarch 6, 20260

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.