Close Menu
    Facebook X (Twitter) Instagram
    Wednesday, September 2
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    ‘Memory’ Review: Liam Neeson Assassin Thriller That’s Easily Forgettable

    Matt DeCristoBy Matt DeCristoMay 4, 2025No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Liam Neeson in "Memory." (Photo: Rico Torres/Road Films -Briarcliff Entertainment via AP).
    Share
    Facebook Twitter Email Copy Link

    I love Liam Neeson and have no issues with his current trend. Pumping out bad action flicks like a Detroit factory producing Fords.

    “Memory” is a 2022 piece directed by Martin Campbell and based on a novel by Jef Geeraerts. Dario Scardapane did the screenplay, but does it really matter? Liam Neeson is the star. He’s armed and dangerous in the same mold as “Taken,” “The Marksman,” “Cold Pursuit,” “Unknown,” “The Commuter,” “Non-Stop,” “The Ice Road” etc. It’s not going to win any Oscar’s but it’s a fun time nonetheless.

    Alex Lewis (Neeson) is an aging contract killer who is suffering from early dementia. As such his skills, whilst overly impressive, are diminishing. I loved the opening scene where we first meet Alex Lewis and see him at work, and I wish it had been longer.

    Memory issues aside, Alex Lewis also has a conscious. When he refuses to complete an assignment because of the nature of the target, his employers turn their sights, and scopes, on him.

    Liam Rules

    Liam Neeson is always great. Yes, it’s the same role and character with a few minor alterations. But I enjoy watching him so much that it doesn’t matter.

    Laim Neeson in “Memory” (Photo: Rico Torres © 2022 Open Road Films/Briarcliff Entertainment).

    He drops lines that only Liam Neeson can like “If I’m here, it’s gone too far.” There’s an unintentionally comical moment when a hot younger woman (Stella Stocker) is checking him out at the bar. I rolled my eyes but it’s still fun.

    One nice feature is that Alex Lewis isn’t made out to be honorable. Yes, he refuses the assignment that starts the story. But he’s also seen killing innocent people indiscriminately. I give credit to the writing for that. Lesser films would have the main character being an assassin, but all the targets being super evil so it’s okay that they die. Alex has nuance and it’s a good addition.

    There’s an investigator played by Guy Pearce who is trying to solve the crime that started it all. Harold Torres and Taj Atwal play other cops. These three work well together, with Pearce being a particularly effective leader. The stunning Rebecca Calder has a supporting role, with Monica Bellucci co-staring as the primary antagonist.

    Some Good, Some Bad

    There are some cool shots as most of the film takes place in El Paso. An explosion in a parking garage is captured from a distance shot that I really liked. We get shootouts, car chases, and some brutal hitman-like kills.

    Memory
    Guy Pearce in “Memory” (Photo: Rico Torres © 2022 Open Road Films/Briarcliff Entertainment).

    “Memory” runs close to two hours, and the excess is felt. The story tries to do too much. There are so many characters I got confused at times. Just have Liam Neeson as an assassin. Give him a gun and let him go. I don’t want or need anything else.

    Ultimately, “Memory” is a forgettable film. It’s fun if enjoy like current Liam Neeson and don’t expect Alex Lewis to be Oscar Schindler.  

     

    Guy Pearce Liam Neeson Monica Bellucci
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleInterview: Actress Priya Bapat on ‘Costao,’ Pairing with Nawazuddin Siddiqui, and working in Bollywood and Marathi Cinema  
    Next Article ‘We are Kings’ Highlights White America’s Reductive Views of Asian Immigrants
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent February 13, 2026

    ‘Breakfast on Pluto’ and ‘Aruvi:’ A study of the Baddie Archetype in Cinema

    Comedy August 19, 2025

    ‘The Naked Gun’ Review: Dumb, Dumber, Deliriously Delightful

    Movie Review April 14, 2025

    ‘Irréversible’ Review: Controversial French Arthouse Thriller is a Stunning Film

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Guns Akimbo’ is Rage-Fueled Commentary on Online and Societal Violence—and Horrific to Boot

    By Mark ZiobroSeptember 2, 20260

    ‘It: Welcome to Derry’ Review: Is Prequel Series to the Iconic Horror Franchise Worth Your Time this Halloween Season?

    By Matt DeCristoSeptember 1, 20260

    ‘Terminator 2: Judgement Day’ Celebrates 35 Year Anniversary with Worldwide Theatrical Release

    By Montearo BrownAugust 31, 20260

    It All Started With a Cheerleader: How August’s Celebrity Passings Have Devastated Fans

    By Montearo BrownAugust 30, 20261
    Follow Us
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    • Bluesky
    • LinkedIn
    Bollywood
    Superhero

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    In a bid to feel less alienated at his new school, Dipu (Mihir Godbole) cooks…

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.