Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    ‘Carry-On’ Review: Christmas Eve Airport Thriller Akin to ‘Die Hard’

    Matt DeCristoBy Matt DeCristoDecember 15, 2024No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Carry-On
    Taron Egerton in the Netflix film "Carry-On" (Photo: Amblin Partners, 2024).
    Share
    Facebook Twitter Email Copy Link

    There is no debate. “Die Hard” is a Christmas movie, and one of the best. With the potential for a similar argument, Netflix has just dropped “Carry-On” a taut thriller written by T.J. Fixman and directed by Jaume Collet-Serra.

    Set at LAX on Christmas Eve, there are decorations, lights, and an abundance of holiday airport travelers. The score is filled with familiar holiday songs. And like any great Christmas movie, it opens with a bloody double homicide in front a festively lit palm tree. Fa-la-la-la-la, la-la, la, la!

    A Modern ‘Die Hard?’

    Taron Egerton stars as Ethan Kopek, a TSA agent and soon to be father. Ethan is a former track star and current slacker who has tried unsuccessfully to become a Los Angeles police officer. It’s Christmas Eve, and the TSA team is preparing for a busy day. “Stay alert, stay vigilant,” the boss lectures, “let’s get through this god-forsaken holiday.”

    Taron Egerton in “Carry-On” (Photo: Amblin Partners ©2024).

    It’s business as usual until an ominous bad guy (Jason Bateman) threatens to kill Ethan’s pregnant girlfriend if he doesn’t allow an illicit suitcase to pass through screening and be loaded onto a plane.

    The next John McClane?

    What’s great about Bruce Willis’ iconic character is that he is an everyman. Not a genius, not a musclebound freak, and not a martial artist, John McClane is a guy who makes mistakes, before and during the events of the film. Hell, he’s separated from his wife at the time and it’s obvious the marital issues are his fault.

    When we meet Ethan Kopek, he’s having real life discussions with girlfriend Nora (Sofia Carson). He’s been rejected from the police academy again though we aren’t yet offered a reason. Finances are an issue and there’s a baby on the way. He’s late to work, as usual, drawing the ire of his boss (the great Dean Norris in a role perfect for him).

    Jason Bateman in “Carry-On” (Photo: Amblin Partners ©2024).

    Ethan is willing to do anything to get a promotion, and as the events unfold, he acts in a believable way. He’s not a Marine Raider or a Navy SEAL, but his track star skills come in handy when running across the vast airport. The dilemma is real. Should he sacrifice the life of his partner and unborn child to comply with the terrorist demands? Egerton does a fantastic job in the role, and I would like to see the Ethan Kopek character return.

    Jason Bateman is not Alan Rickman. But his sinister unnamed character is an excellent and memorable villain. He’s shown as more than willing to kill anyone who gets in the way, so his demands are met with respect. “All you have to do is nothing.” He calmly explains to Ethan.

    Outside the turmoil at the airport, FBI agent Elena Cole (Danielle Deadwyler) is inadvertently working on the case. My boy Logan Marshall-Green lends support.

    Suspension of Disbelief

    I loved the comedy sprinkled throughout the film. Like “Die Hard,” moments of levity help to ease the tension. There’s a hysterical scene showing TSA agents dealing with irate and annoying passengers. One young girl presents a student ID in lieu of a passport, and it reminded me of my days carding teens buying beer (one dude showed me an out of state library card). The screeners also play Contraband Bingo which I can only hope is a real thing.

    Taron Egerton in “Carry-On” (Photo: Amblin Partners ©2024).

    Most of the time you will be shouting at characters on screen to not do what they are doing. The death count is high. The mayhem is ridiculous. I hope actual TSA and FBI agents would act differently but hey, what do I know.

    Last December, I reviewed the Netflix film “Leave the World Behind” and late in the year it became my favorite films of 2023. I suspect this will be the case again. “Carry-On” isn’t “Die Hard.” But it is an excellent thriller that can be enjoyed during the Christmas season.

     

     

     

     

     

    Danielle Deadwyler Dean Norris Jason Bateman Logan Marshall-Green netflix Sofia Carson Taron Egerton
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous Article‘Theater of Thought’ Review: Picking Auteur Werner Herzog’s Brain
    Next Article ‘Mufasa: The Lion King’ Review: A Distant Roar Lost in Disney’s Nostalgia Machine
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Action February 22, 2026

    ‘Mercy’ Review: Chris Pratt is One Angry Man

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.