Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    ‘On the Line’ Review: The Mel Gibson Thriller Channels Films from Yesteryear

    Matt DeCristoBy Matt DeCristoSeptember 19, 2024No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    On the Line
    Mel Gibson in "On the Line." (Photo: BondIt Media Capital, 2022).
    Share
    Facebook Twitter Email Copy Link

    “On the Line” reminded me of many action thriller films from the ’90s. It stars Mel Gibson as a late-night shock jock who gets a call from a man claiming to be holding his wife and daughter hostage. Written and directed by Romuald Boulanger, the 2022 film has received negative criticism, unfairly in my opinion. If you haven’t been spoiled, I suggest watching it and letting yourself have fun.

    Elvis Cooney (Gibson) has hosted a graveyard shift radio program for 40 years. He’s abrasive in the mold of Howard Stern, with a fraction of the celebrity status. He does have fans, haters, and stalkers as any media personality does.

    Mel Gibson is a great actor

    Mel Gibson gets dusted off from time to time and demonstrates how fantastic an actor he is. Elvis Cooney is an asshole, but we still like him as we watch, a testament to Gibson’s charisma. It’s believable that Elvis has resisted change over the decades. Radio is a dying medium and he’s a relic of the craft. “I’m a radio host,” He barks at the station manager who urges him to be more active on social media. “Not a TikTok jock.”

    Elvis Cooney is an asshole, but we still like him. (Photo: BondIt Media Capital, 2022).

    A caller has broken into Elvis’ house and is holding his wife and daughter hostage. The caller demands Elvis follow his instructions, the first being he remains on-air for the duration of his demands. “I’m gonna do something really screwed up tonight.” The mysterious voice threatens.

    Clocking in at 104 minutes, “On the Line” moves fast. Elvis is assisted by new hire Dylan (William Moseley) which is the latter’s first day on the job. Kevin Dillon, Enrique Arce, and Alia Seror O’Neill lend support.

    SPOILERS!

    Throughout the film, I noticed something was amiss. The actions and statements of the characters didn’t seem to jive with realism. The bad guy has otherworldly abilities. A janitor refers to family back in Spain. Several times, Elvis himself remarks that it seems like a bad movie. At first, I chalked it off to lousy writing, directing, and/or acting. As it continued, I knew something wasn’t right. My guess was that Elvis was orchestrating the kidnapping as a ratings boost. I won’t say exactly, but I wasn’t far off.

    I’ve read and watched reviewers hating on it. I had the opposite reaction. We complain that movies always follow the same formula. “On the Line” dared to be different. Bad guy kidnaps family, good guy must stop him. Its been done many times before. I applaud Romuald Boulanger for doing something different.

    “On the Line” is a fun thriller. It slides in as a changeup to standard Halloween viewing but it works. Once.

     

     

     

     

     

    Alia Seror O'Neill Enrique Arce Kevin Dillon Mel Gibson William Moseley
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous Article‘The Shadow Strays’ TIFF 2024 Review: A Solid Action Film and Tour de Force in New Actress Aurora Ribero
    Next Article ‘The Grudge’ Review: An Eerie Atmosphere and a Good Sarah Michelle Gellar Make the Japanese Remake Work
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Horror May 30, 2026

    ‘Passenger’ Review: An Unremarkable Haunting Story with a Van-Life Twist

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.