Close Menu
    Facebook X (Twitter) Instagram
    Saturday, March 7
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    Review: ‘Dog Gone’ Touching Tail for Dog Lovers of All Ages

    Matt DeCristoBy Matt DeCristoJanuary 27, 2023No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Netflix original "Dog Gone"
    Share
    Facebook Twitter Email Copy Link

    I knew the Netflix Original picture “Dog Gone” would be a winner the second I saw the trailer. A tender heart comical tail (pun intended) about a missing dog and the extreme lengths his human family go to find him.

    Written by Nick Santora and directed by Stephen Herek, “Dog Gone” is based on a true story. That it stars personal faves Rob Lowe and Kimberly Williams-Paisley reeled me in. Or leashed me in, I suppose.

    Fielding Marshall (Johnny Berchtold) is a student at the University of Virginia. He adopts a puppy – which he names Gonker – as a ruse for impressing girls, but quickly, the two become attached. “A B- in Native American studies does not qualify you to care for an animal” his best friend Nate (Nick Peine) advises.

    Rob Lowe and Johnny Berchtold in “Dog Gone”

    Fielding’s parents John and Ginny (Rob Lowe and Kimberly Williams-Paisley) accept the dog but warn of the responsibilities it comes with. When Gonker goes missing on a hike through the Appalachian Trail, Fielding and his parents launch a statewide search for the missing pooch.

    I haven’t been this captivated with a movie in some time. I love dogs, but what’s great is that the meat of this story isn’t about Gonker. Rather, there’s an in depth presentation of the relationship between Fielding and his father. The son has seemingly no direction in his post-collegiate days. The father is a conservative-minded man who wants the best for his family, but has sacrificed the personal connections with his son in the process. The relationship between Fielding and John grows in intensity as they search moves on.

    Kimberly Williams-Paisley (with Gonker)

    We also get flashbacks of Ginny as a child, explaining her personal connection to the dog. The acting is sound from the three leads, with excellent direction and writing for the characters they are portraying. The closing credits display photographs of the actors and cast posing with their real life dogs. Everyone involved with the production has an emotional connection to the story that’s genuine, and it shows.

    Stephen Herek made the right choice in focusing on the Marshall family, rather than Gonker, after the latter goes missing. We get all the emotion we need from Fielding, John, and Ginny. The story isn’t one about a missing dog finding his way home, it’s about the tight bond of a family, and eventually a community that will go out of their way to find him.

    Man’s best friend

    The story itself is unreal in that it’s actually real. People from across the state of Virginia offer their services in finding the dog. Newspapers run stories, strangers put up signs, and even a biker gang is more than willing to get involved. To further elevate the stress, there’s a ticking clock – Gonker suffers from Addison’s disease – and as such needs a monthly shot to stay alive.

    “Dog Gone” is a touching tail (once again, pun intended) that will dare you not to enjoy it. Is it perfect? No. But you’ll be entertained in a way that ‘Best Picture’ nominees simply can’t compete with.

     

     

     

     

    “Dog Gone” is exclusive to stream on Netflix

    Johnny Berchtold Kimberly Williams-Paisley Rob Lowe
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleSundance 2023 Review: ‘Baba’ is an Offbeat Short Film About Generational Divide and Disconnect in Familial Relationships
    Next Article Sundance 2023 Capsule Reviews: ‘In My Mother’s Skin,’ ‘My Animal,’ ‘Run Rabbit Run’
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Horror February 28, 2026

    Why Do We Keep Returning to the ‘Scream’ Films?

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Sisa’ Review: When ‘Madness’ Becomes an Act of Resistance

    By Paul Emmanuel EnicolaMarch 6, 20260

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.