Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    Review: ‘Mixtape’ Excellent Film for Nostalgia Junkies

    Matt DeCristoBy Matt DeCristoDecember 17, 2021No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    “Mixtape” is a Netflix Original film, and one that’s worth giving a watch. The 2021 production incorporates an original concept with laughs and tears along the journey. Its synopsis alone was enough to reel me in.

    If you are a ’90s nostalgia junkie like myself, you’ll love the setting. The year is 1999. People are preparing for Y2K. The World Trade Center is still two towers. It was the last great year before everything changed. And it’s the last year before the explosion of the internet, making it the only time the plot of this movie could work.

    12-year-old Beverly Moody (Gemma Brooke Allen) resides in Spokane, WA with her grandmother. Beverly’s parents were killed in a car accident when she was an infant. As she approaches adolescence, Beverly is pining for information about her parents. She discovers a mix tape that her father made for her mother when they were dating. The music loving Beverly embarks on a quest to discover each random song from the list and why it meant so much to her parents.

    Mixtape
    Gemma Brooke Allen and Julie Bowen in Mixtape

    Gemma Brooke Allen is perfection in the lead role. You won’t roll your eyes a single time as is often the case when watching a child actor. Allen delivers the heartfelt moments and the comedy in equal doses. We understand the emotions of this kid. She’s pestered by bullies at school. Beverly never knew her parents. She has no outlet for her frustrations. Beverly befriends two other misfits, played by Audrey Hsieh and Olga Petsa. The three young actors play well off each other. Their character growth as friends makes for the best parts of the film.

    I’ve been a Julie Bowen fan since the TV show “Lost.” That she plays the grandmother here must be a sign that I’m getting old. Bowen delivers a great performance as usual, playing quite well off the younger cast.

    Mixtape
    The kids are what makes Mixtape work

    Though not the focal point of the story, we get great depth from this character too. She works hard for her granddaughter. She had a strained relationship with Beverly’s mother, but obviously loved her only child.

    Nick Thune completes the cast as a cantankerous and 1999 Hipster who runs the local record store. As you can guess, music plays a large part in the story. A blend of popular hits and rare gems completes the soundtrack.

    “Mixtape” is an excellent film. Because of the Y2K element, think of it as a New Year’s movie. Or one you can watch any time you feel like smiling.

     

     

     

     

    2021 Audrey Hsieh Gemma Brooke Allen Julie Bowen Mixtape Olga Petsa
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleStreaming Review: Balancing Themes of Addiction, Coming-of-Age, and High School, ‘Euphoria’ is a Decidedly Powerful Production
    Next Article Review: ‘Spider-Man: No Way Home’ Creates Big Expectations…and Exceeds them with Style and Flair
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Action February 22, 2026

    ‘Mercy’ Review: Chris Pratt is One Angry Man

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Sisa’ Review: When ‘Madness’ Becomes an Act of Resistance

    By Paul Emmanuel EnicolaMarch 6, 20260

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.