Close Menu
    Facebook X (Twitter) Instagram
    Saturday, March 7
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Documentary

    TV Review: Hulu’s ‘Sasquatch’ Blends True Crime and Bigfoot In Wild Ways

    Daniel PrinnBy Daniel PrinnApril 20, 2021No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    David Holthouse in "Sasquatch." (Photo by: Hulu)
    Share
    Facebook Twitter Email Copy Link

    “Sasquatch,” premiering on Hulu today after its premiere at the SXSW festival last month, is a crazy ride and true crime story with a twist. Investigative journalist David Holthouse looks into a 25-year-old triple homicide in Mendocino County, California in 1993. The cherry on top is the Sasquatch aspect of these murders. Holthouse remembers someone coming into a cabin and exclaiming three guys have been torn up and saying, “I’m telling you man, a Bigfoot killed those guys.”

    That’s what launched Holthouse’s interest into trying to find answers, as he starts to research missing person cases from around that time to no avail. “Maybe it’s a ghost story or maybe there’s nothing to it,” he says in the documentary. It’s interesting as he starts to doubt himself. Did he may misremember the event, or was he maybe just super high?

    Holthouse is such an interesting person to tell this story with everything he’s been through. In his personal life, as well as undercover work, you can tell watching this he’s good at his job. This is especially true when he’s asking people about the homicides in 1993; he never tells them the specific year or time so no one parrots information back to him and he never plants those seeds.

    He takes us through this journey as the show blends true crime and human interest with the mythical side of Sasquatch. But you can’t put the show in one basket as it balances different tones and many different subjects. It does this with interviews, hard-hitting investigative journalism, and re-enactments. “Sasquatch” often shows these re-enactments in great animation by Drew Christie. I always love animation as a medium for these re-enactments; it’s such a neat visual storytelling device when used with voice-over, and really shows a lot of its style.

    A still from “Sasquatch.” (Photo: Hulu)

    For those fans of the mythical creature Sasquatch, the first episode is the most fun; we learn about people’s passion for Sasquatch and why they’re so invested as we get immersed in that community. It’s so much fun as we visit their homes and learn what they think of Sasquatch and why he’s such a big part of their lives. I loved a pair of life partners, Georges and Wayne, where Georges explains that Wayne believes Bigfoot can teleport (“No I do not, do not go there,” warns Wayne), but Georges has a different thought on Bigfoot. Moments like these are why I love the first episode so much.

    It’s also interesting in the more serious moments as we hear about a man who had a run-in with Bigfoot. He describes seeing a deformed thing swimming… “it was covered with dreadlocks and it was going through the water,” and he says it then screamed like a banshee. It’s interesting that this such a horrifying experience. And on the other side, there are people who would do anything to come that close to Bigfoot. Director Joshua Rofé paints a strong overall portrait of that, and a strong picture in general as he combs through all the research.

    The end of this episode hints at danger coming in the second episode. It seems to explore a different tone with more intense interview subjects, the comedy left behind in the first episode. I found the HBO series “McMillions” similar. I wasn’t as interested in the mafia aspect; but “Sasquatch” is different as it maintains interest and lays out the facts of the marijuana and crime aspects of Mendocino County and that history. That still fascinates, albeit in a more serious manner. That’s also why the choice to separate this into three episodes is smart. It juggles these different tones in self-contained episodes, and it all comes together in the third episode.

    Sasquatch
    An animation by Drew Christie featured in “Sasquatch.” (Photo: Hulu).

    The second episode is the bridge tonally, and teases the true crime aspects. It also sets up the dominoes for its mystery, leading to a more enthralling finale episode. I won’t talk so much about this third episode as it comes altogether, but I’m glad I stuck around throughout for these answers.

    On par, if you’re watching this solely for Sasquatch, you’ll enjoy many aspects; but keep your expectations in check as the True Crime to Sasquatch ratio leans more towards true crime. I love the first episode learning about these characters and that’s definitely my favourite episode; but the other episodes are strong for different reasons with more intense interview subjects. It takes us down a crazy road that’s worth the ride.

     

     

     

     

     

    Bigfoot David Holthouse documentary Hulu Joshua Rofé Mini-Series Sasquatch SXSW true crime
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Kong: Skull Island’ Tones Down the Exposition, Creating a More Lively Film in the Process
    Next Article Review: The World Didn’t Really End, but Emmerich Still Entertains with his Fiery Doomsday Epic ’2012’
    Daniel Prinn
    • Website
    • X (Twitter)

    Daniel is a lover of cinema and looks at the cast, characters, and how well a movie executes the genre. Daniel also looks at the plot and his level of enjoyment. He tries to be fair to a movie’s audience, even if a particular film isn’t his cup of tea. In addition to writing for "The Movie Buff," Daniel has been writing theatrical reviews for his own blog at “Filmcraziest.com."

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Romance February 24, 2026

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    Action February 22, 2026

    ‘Mercy’ Review: Chris Pratt is One Angry Man

    Movie Review February 20, 2026

    ‘The Yellow Tie’ SBIFF Review: Between Tribute and Tension Lies a Portrait of Genius That Doesn’t Quite Break Free

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Sisa’ Review: When ‘Madness’ Becomes an Act of Resistance

    By Paul Emmanuel EnicolaMarch 6, 20260

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.