Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Bollywood

    Review: ‘Shakuntala Devi’—a Biopic Drama of a “Human Computer”

    Arpit NayakBy Arpit NayakAugust 3, 2020No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    A mathematical biopic might seem like numbers and equations, but this drama is based on the life of inspiring mathematical genius Shakuntala Devi, who was known as the ‘human computer.’

    The story starts in London, where the daughter of Shakuntala Devi (Vidya Balan) Anupama (Sanya Malhotra) has filed a criminal lawsuit against her mother to demolish her financially,  and then frame changes to five-year-old Shakuntala in Bangalore in 1934, who resolves a cube root of eight-digit figures within seconds. When it becomes crystal clear that this is no coincidence, her father takes her to various local schools to earn as a kind of performing math where people throw challenges at her, and she solves them. Her sister dies of illness, and tragedy strikes her as she vows to earn a name for herself. She never forgives or ends up like her mother, who considers her weak.

    She tries to shoot at a paramour who was trying to fool her. She is sent to the UK, where she gets recognition for her extraordinary mathematics skills. A Spanish man named Javier teaches her English and way of Western life. Due to her hard work and astonishing skills, she gains acknowledgment as a ‘human computer;’ she also gets her place in the “Guinness Book of World Records.”

    Later, she marries an IAS officer Paritosh (Jisshu Sengupta), she resumes travels as this is what her husband requested, and she takes her daughter Anupama with her. Shakuntala fails to find impartiality between her passion for math and being a mother. Examining her peevish relationship with a daughter who wants a healthy life, the film switches between the lives of Shakuntala and her grown-up daughter; it becomes a perusal of the choices before zealous women who are mothers and the sacrifices they make. Two of the excellent scenes are centered on domestic dissension triggered by this bristly relation; the outburst of exasperation in Anupama’s otherwise light husband, Ajay (Amit Sadh), is staggering and true to life, while Paritosh talking to Shakuntala about abandoning Anupama has the hapless pucker impact of keeping their daughter close for the rest of her childhood.

    Vidya Balan in a scene from “Skakuntala Devi” ( Abundantia Entertainment, 2020).

    “Shakuntala Devi” is directed by Anu Menon and co-written by Menon with Nayanika Mathani. Despite emotionally connected to the non-math sections of her life, the ultimate motive of the film is hard to find, and screenplay misses a few of the most exciting chapters of Shakuntala’s life, craning so many other things in the film as to suffer a loss to the narrative. The real Shakuntala Devi was a mastermind, who answered the most challenging equations with style and smile; her books helped generations of students get over their fear on the subject. She was way ahead of her time; before the change of feminism occurred she displayed these traits in her life. However, the script fails to bring these elements from her life from page to screen.

    Menon took some valiant selection regarding what to show and what to ignore. Sadly, those don’t favor the film much. She did well managing the path but was not apt to lead one. The overall result looks good visually, and optimally uses the cast for the same. Menon hits some notes right, but passes over many others. Scenes like her book in 1997 on homosexuality are glazed over in a cringe-engender view. However, Keiko Nakahara’s camera nourishes the radiant, effervescent concept even in the intense scenes. Antara Lahiri’s editing is just right, as the content was so precipitate and disintegrates.

    Vidya Balan delivers yet another performance where she gets under the skin of the character so well it’s impossible to think she is not Shakuntala; her dialogue delivery with a smile keeps one on track, and she justifies every frame she is in and hit the ball out of the park. Sanya Malhotra as a turbulent daughter delivers her role extraordinarily well, and her chemistry with Balan is soothing to watch, as is their love-hate relationship. The supporting cast also plays their purpose well.

    Overall, “Shakuntala Devi” is a must-watch. It has few messages which one should understand, a stellar performance from Vidya Balan, and a star cast which should not be missed. This biopic is a good pick for the coming week; you can catch this biopic drama on Amazon Prime.

     

     

     

     

    brilliant homosexuality human computer India math Skakuntala Devi
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Desperately Seeking Susan’ Brings us a Rom-Com with ’80s Nostalgia
    Next Article Review: ‘I Walked with a Zombie’ Classic Cinema that Breaks the B-Movie Mold
    Arpit Nayak

    Arpit is a passionate writer and cinema lover. He likes to bring the combination of life and soul in his writing. He finds joy in traveling, sports, and music. He is inspired from these philosophies: “Strive not to be a success, but rather to be of value," and “You are never wrong to do the right thing."

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Marvel May 30, 2026

    Review: The TV Series ‘Spider-Noir’ Mixes Detective Work and Action — and Nicholas Cage

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.