Close Menu
    Facebook X (Twitter) Instagram
    Tuesday, July 21
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Biography

    Selma (PG-13)

    Matt DeCristoBy Matt DeCristoJune 13, 2020No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    “Selma” is a historical drama that, while set in the mid-60s, feels eerily at home with the current state of life in June of 2020. The film was nominated for two Academy Awards (winning one) and explains the events leading up to and including the Selma to Montgomery Protest March, fronted by Civil Rights icon Dr. Martin Luther King Jr. It’s the type of movie that everyone should watch for its educational value and eye opening account of atrocities committed on our very soil.

    Director Ava DuVernay takes us back to 1965 in look, feel, and most importantly, attitude. There’s a host of historical names presented as characters in the movie. Names like Lyndon Johnson, J Edgar Hoover, George Wallace, John Lewis, Hosea Williams, Malcolm X, Jim Clark – for good and bad they all represent a slice of history that we get on full display. The story itself breaks down the chaotic lawlessness of the Deep South at a time where open racism still seers, and wounds to the Confederacy still ripe with blood. Laws have been passed allowing blacks (and specifically black women) the right to vote, but local leaders including Alabama Governor George Wallace (Tim Roth), and Klan member Al Lingo (Stephen Root) aren’t about to let that happen.

    Oprah Winfrey as Annie Lee Cooper

    The primary focus is on Martin Luther King, played superbly by David Oyelowo, who bears a striking resemblance to the real life man. Oyelowo brings us a great depiction of King, from his riveting speeches to the peaceful way of protest he institutes, much to the chagrin of others in the movement. The film does a great job of depicting Martin Luther King as a regular human being. A man who is flawed and not godlike, and it makes us feel the realism in the man, and the film is better off for it. In a bit of foreshadowing, King at one point predicts his own death, and it lets the viewer see just how dire the struggles he is facing are. As he says to his wife “Our lives are not fully lived if we’re not willing to die for those we love, for what we believe.”

    Oyelowo aside, the rest of the cast is ensemble, with the aforementioned being joined by big names like Cuba Gooding Jr, Giovanni Ribisi, and Martin Sheen. Carmen Ejogo does a touching job in the role of Coretta Scott, King’s faithful and devoted wife. A great early scene depicts Civil Rights activist Annie Lee Cooper (Oprah Winfrey), trying to exercise her right to vote for the first time, only to be denied in a (pardon the language) bullshit way. Despite King being an Oval Office guest of LBJ (Tom Wilkinson) much of the story is revealed through surveillance of King at the command of FBI director J. Edgar Hoover (Dylan Baker).

    David Oyelowo stars as Dr. King in “Selma”

    We won’t get political here, but Dr. King was wise enough to know the importance of voting, and his reasons are thoroughly hashed out within the confines of this picture. Protest on city streets or social media platforms is fine, but voting is the only real way to enact change. “Selma” is a great movie for history buffs (and those that claim they love history), and despite being slow at times, is a film everyone should make the effort to watch.

     

     

     

     

    Carmen Ejogo David Oyelowo Oprah Winfrey
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Luce’ Captivating, Rich with Food for Thought
    Next Article Review: ‘Mississippi Masala:’ A Lesson on Unity in Diversity
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Horror April 6, 2020

    ‘It Comes at Night’ a Restrained Approach to Horror Worth Your Attention

    Horror February 8, 2018

    The Cloverfield Paradox (TV-MA)

    Action July 30, 2014

    The Purge: Anarchy (R)

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Gail Daughtry and the Celebrity Sex Pass’ Review — The Funniest Movie Since Last Year’s ‘The Naked Gun’

    By Nathan FlynnJuly 20, 20260

    ‘Drop’ Review: Thriller Ripe with Plotholes yet Painfully Addicting

    By Matt DeCristoJuly 20, 20260

    ‘Sneakers’ Review: Star Packed Cast Delivers a Lesson in Acting in this ’90s Comedy Caper

    By Matt DeCristoJuly 19, 20260

    ‘Short Cuts’ Review: Ensemble Cast, Dozens of Characters, Numerous Stories Comprise Robert Altman’s Indie Dramedy  

    By Matt DeCristoJuly 18, 20260
    Follow Us
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    • Bluesky
    Bollywood
    Superhero

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    In a bid to feel less alienated at his new school, Dipu (Mihir Godbole) cooks…

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.