Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    12 Days of Christmas

    The Muppet Christmas Carol (G)

    Matt DeCristoBy Matt DeCristoDecember 8, 2019No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    There’s no way the great writer Charles Dickens could have known the centuries-lasting impact of his 1843 novella ‘A Christmas Carol’ would have on world culture and cinema.

    There’s also no way the English writer, born in 1812, could have envisioned the story being played out 180 years later by an ensemble group of wild and crazy puppets, but that’s what we have in “The Muppet Christmas Carol.”

    There’s no need for an in-depth review of a movie like this. We all know the story, and with a few minor alterations, The Muppet production follows the Dickens tale to a T. What’s interesting to note is “The Muppet Christmas Carol” was the first Muppet film produced following the untimely death of creator Jim Henson in 1990. It would mark the changing of the guard as Henson’s son Brian would take over the family business, and make his directorial debut. 

    We’ve got the silly humor and parlor jokes made famous by the Muppet’s, and there’s no way one can watch and not laugh throughout at the slapstick gags and antics of the crazy and lovable goofballs within. All the classic characters are there, including Kermit the Frog as Bob Cratchit, Miss Piggy as Cratchit’s wife, and Gonzo as the narrator.

    There are plenty of obscure Muppets filling in as extras in the snow coated London streets, and cameos as well from Fozzi the Bear, Bunson and Beeker, or my favorite, Animal.

    What makes this movie work so well is the focal character of Ebeneezer Scrooge is not played by a puppet, but by a real life two-time Academy Award winning star, Michael Caine. Caine is one of only two actors nominated for an Academy Award for acting in every decade from the 1960s to the 2000s (the other one being Jack Nicholson.

    Caine is marvelous in his portrayal of the miserly Scrooge, and while it’s a difficult task to act dour while bantering with Kermit the Frog, Caine does it as if chatting with a talking green reptile is a perfectly normal occurrence.

    “The Muppet Christmas Carol” includes musical interludes that are fun and catchy, with Muppets and people alike singing and dancing. Don’t let the G rating fool you, this is the type of film that can and should be enjoyed by all ages. 27 years later and it still holds up as a perfect Christmas movie and a comical spinoff of the time-honored Dickens work.

    1992 Dave Goelz Michael Caine Steve Whitmire The Muppet Christmas Carol
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Knives Out’ a Quintessential Whodunnit and Daniel Craig at his Best
    Next Article Lady and the Tramp (G)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Romance February 24, 2026

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.