Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Drama

    The Haunting in Connecticut (PG-13)

    Matt DeCristoBy Matt DeCristoOctober 30, 20121 Comment4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    “The Haunting in Connecticut,” (or as it should have been called, ‘Plagiarism of The Shining’) is a 2009 horror/thriller movie directed by Peter Cornwell and featuring the tag line ‘Some things cannot be explained’ which is about as original as saying ‘Boo!  It’s a scary movie!’

    The film is billed as being based on a true story, though this is only a ruse to add to its supposed scariness (in the mold of “Cloverfield” or “The Blair Witch Project”) and anyone possessing an education higher than the second grade should be able to quickly identify that the only truth to the movie is that the producers had a desire to make a quick buck.

    The story begins in June of 1987.  Sarah Campbell (Virginia Madsen) is shuttling her cancer-stricken teenage son Matt (Kyle Gallner) from the hospital where he has begun a series of new treatments.  The normally 4-hour ride takes twice as long as Sarah has to constantly pull over so Matt can be sick and as a result, the family decides it would be prudent to rent a house in Connecticut that is close to the hospital for the duration of his illness.  Sarah finds a large place that is affordable and she wonders what the catch is.  “The house has a bit of a history,” says the owner.  Sarah and Matt move in, along with Matt’s younger brother Billy and cousins Wendy (the gorgeous Amanda Crew) and Mary.  Sarah’s husband Peter (Martin Donovan) will spend weekends at the house as his job will keep him near the everyday home during the week.

    haunting2

    From the very first night, Matt begins to experience strange things – visions, hallucinations, and strange noises – which seem to plague only him causing Sarah, and the viewer, to question if the sightings are real or just the effects of the new drug he is on.

    Matt chooses to sleep in the basement, or as he tells his mother, it chose him.  As the terrifying visions continue, Matt eventually discovers that the house is actually a former mortuary with a horrible past.  Matt and Wendy discover old photos from the house depicting a séance and mourning portraits (actual staged images of people after they died – why people ever did this is beyond explanation).  At the hospital, Matt befriends a fellow patient, Reverend Nicholas Popescu (Elias Koteas – a clone of Robert DeNiro if ever there were one) who he confides in about the events happening at the house.

    Popescu tries to help Matt discover the meaning behind what is happening.  But as the other members of the Campbell family begin to have supernatural experiences of their own, they realize it is more than just a side effect of the drugs.

    haunting3The plot and effects seem to borrow numerous elements from some very famous horror movies.  Matt discovers that the highway leading up to the house was built on an old burial ground which prompted the developers to move the bodies (“Poltergeist“). The house itself contains post-mortem photos and evidence of a séance (“The Others”).  Peter is a recovering alcoholic (ala Jack Torrance) and in one scene comes home drunk and angry, screaming and ranting about in a way you’ll half expect him to grab an axe and yell ‘Here’s Johnny!’  Even the name of Matt’s cousin, Wendy, is the same name as the lead female character in “The Shining” and house itself is a borderline mimic of The Overlook Hotel.

    “The Haunting in Connecticut” does have some scary scenes that will make you jump, but has just as many that are so stomach turning you’ll avert your gaze more out of disgust than fear.  Overall, it’s more of a typical horror film than anything special.

    – by Matt Christopher

    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: Wes Craven Brings Horror to New Heights with ‘A Nightmare on Elm Street’
    Next Article Virtuosity (R)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Horror February 28, 2026

    Why Do We Keep Returning to the ‘Scream’ Films?

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    1 Comment

    1. Pingback: » The Conjuring (R)

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.