Close Menu
    Facebook X (Twitter) Instagram
    Tuesday, July 21
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Biography

    Vice (R)

    Kieran DaveyBy Kieran DaveyFebruary 22, 2019No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    “Vice” is a terrifying movie. A tremendously important, politically relevant, and absolutely terrifying movie about power and those who wield it. It is also one of the most entertaining and accessible political movies that I have seen, easily earning a place next to films like “All the President’s Men” and “The Big Short.”

    “Vice” is a political biopic studying the life of Dick Cheney, the American Vice-President under George W. Bush and one of the people who has shaped our current world. Following Cheney from his misadventures as a drunken college drop-out all the way up until the peak of his power in the Iraq War, “Vice” makes for a fascinating character study and a disturbingly relevant political commentary.

    One contributing factor to the film’s success is the all-star cast. The film features Christian Bale as Dick Cheney, Amy Adams as Lynne Cheney, Steve Carrell as Donald Rumsfield, and Sam Rockwell as George W. Bush. Each of them delivers solid performances, while also providing accurate portrayals of the people they are representing (Rockwell’s Bush is particularly delightful). With a combination of in-depth characterization and phenomenal make-up, Bale transforms into Cheney, silently conveying power and manipulation. 

    Director Adam McKay uses some extremely innovative story-telling devices throughout the film, using some to inject elements of satirical comedy while others give scenes emotional power. Stand-outs include a very funny end credits sequence that occurs mid-movie and a restaurant scene imagining Cheney trying out American policies like one would choose a fancy meal. However, though often effective, these devices aren’t always successful. A Shakespeare soliloquy from Macbeth misses the mark, taking away from the tone of the film and from the emotional gravitas. Additionally, the use of an external narrator acts as a bit of a crutch and is confusing from time to time.

    Another filmmaking device repeatedly used by McKay is juxtaposition and visual symbolism. Cutting from a quiet political conversation to the bombing of a Cambodian village provides a powerful reminder of the true impact of political decisions. Later, during Cheney’s heart transplant, McKay cuts between a montage of Cheney’s political actions and his empty chest cavity, conveying a powerful visual metaphor. However, some of the symbolism may come across as a little heavy-handed, such as interspersing fishing scenes as Cheney manipulates and ‘reels in’ the people around him.

    Overall, this is an important, well-executed film that succeeds as both an educational and entertainment piece. It provides a powerful analysis of many important topics, such as how media can be used to intentionally manipulate an issue in the public consciousness, the role of big business in government, and the way that personal interest drives many political decisions. These are all exceedingly relevant in our current political climate. Despite not being a horror movie, “Vice” is easily the scariest movie I watched all year.

    -by Kieran Davey

    Adam McKay Christian Bale Dick Cheney politics Vice Vice President Washington
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleThe Chrysalis (NR)
    Next Article Eternal Sunshine of the Spotless Mind (R)
    Kieran Davey
    • Website

    Kieran Davey is a freelance film writer and a lover of cinema. Aside from writing reviews for The Movie Buff, he also writes for The Playlist, Cinema Escapist, and Spill Magazine. Check out his top 10 lists on Letterboxd under the name strblzrs.

    Related Posts

    Animation May 24, 2026

    ‘Animal Farm’ Review: A Misguided Adaptation

    Politics January 15, 2026

    Review: ‘Ella McCay’ is a Rolodex of Too Many Movies, Not One of Them Finished

    Disaster October 12, 2025

    ‘A House of Dynamite’ NYFF 2025 Review: Kathryn Bigelow’s Crisis of Conviction

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Gail Daughtry and the Celebrity Sex Pass’ Review — The Funniest Movie Since Last Year’s ‘The Naked Gun’

    By Nathan FlynnJuly 20, 20260

    ‘Drop’ Review: Thriller Ripe with Plotholes yet Painfully Addicting

    By Matt DeCristoJuly 20, 20260

    ‘Sneakers’ Review: Star Packed Cast Delivers a Lesson in Acting in this ’90s Comedy Caper

    By Matt DeCristoJuly 19, 20260

    ‘Short Cuts’ Review: Ensemble Cast, Dozens of Characters, Numerous Stories Comprise Robert Altman’s Indie Dramedy  

    By Matt DeCristoJuly 18, 20260
    Follow Us
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    • Bluesky
    Bollywood
    Superhero

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    In a bid to feel less alienated at his new school, Dipu (Mihir Godbole) cooks…

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.